❌

普通视图

Received yesterday — 2026年8月6日
✇13 - 韩国数字人文协会（KADH）

[책] 디지털 인문학의 길잡이: 입문 (이하람/김희진 외)

作者김병준
2026年8月5日 21:04

저자: 이하람, 김희진, 강수진, 김병준, 김용수, 박언주, 설연지, 윤미선, 장성현, 전보미, 정서현

디지털인문학은 컴퓨터와 데이터 분석 기술을 활용해 인간과 문화에 대한 새로운 질문을 던지고 기존에는 발견하기 어려웠던 텍스트의 의미와 패턴을 탐구하는 현대 인문학의 핵심 연구 방법론이다. 다시 말해, ‘데이터를 읽는 기술’과 ‘인간을 이해하는 인문학적 해석’을 결합한 학문이다. 컴퓨터가 방대한 데이터를 빠르게 분석한다면, 그 결과에 의미를 부여하고 문화적·역사적 맥락 속에서 해석하는 것은 여전히 인간 연구자의 몫이다. 이 책은 디지털인문학의 핵심 개념과 분석 방법을 체계적으로 익힐 수 있도록 기획된 입문서로, 디지털 도구를 활용한 분석 기법을 배우는 데 그치지 않고, 디지털 문해력과 인문학적 사고를 기를 수 있도록 구성하였다.

텍스트 분석의 기초부터 디지털 매핑, 연결망 분석, 감정 분석, 토픽 모델링, 문체 분석, 텍스트 분류에 이르기까지 디지털인문학의 핵심 분석 기법을 단계적으로 익힐 수 있도록 구성했으며, 다양한 텍스트 분석 사례를 통해 디지털 분석과 인문학적 해석이 어떻게 결합되는지를 자연스럽게 이해하도록 안내한다. 코딩 경험이 없거나 인문학 전공자가 아니더라도 쉽게 따라 할 수 있도록 직관적이고 체계적으로 구성했으며, 실습에 필요한 데이터와 코드는 별도의 웹사이트를 통해 제공한다. 또한 다양한 인문학 및 문화 텍스트에 활용할 수 있는 디지털 도구와 분석 방법, 분야별 데이터베이스 정보를 함께 수록해 독자들이 관심 분야의 디지털인문학 프로젝트를 직접 수행할 수 있도록 돕는다.

목차

머리말

서론: 디지털인문학 시작하기 ― 김용수

1장 인문 데이터 기초: 컴퓨터와 함께 『프랑켄슈타인』 읽기 ― 김병준·정서현
1. 서론
2. 텍스트에서 데이터로
3. 인문 데이터 이해하기: 『프랑켄슈타인』 디지털 에디션의 사례
4. 데이터 기반 인문학 연구가 열어 주는 가능성
5. 결론: 인문 데이터 리터러시의 중요성
| 연습문제 |
부록 1 인문 데이터의 비판적 이해
부록 2 주요 디지털인문학 데이터베이스 목록

2장 텍스트 분석 기초: 수치로 읽는 『로미오와 줄리엣』의 사랑 이야기 ― 박언주
1. 서론
2. 정량적 텍스트 분석의 기초
3. 셰익스피어 드라마를 통해 익히는 보얀트 툴즈
4. 사랑의 계량화: 『로미오와 줄리엣』 분석
5. 결론
| 연습문제 |

3장 디지털 지도그리기: 셜록 홈스의 미스터리 지도 ― 윤미선
1. 서론
2. 디지털 지도그리기
3. 지명사전 만들기
4. 지도그리기: 지명사전의 디지털 시각화
5. 결론
| 연습문제 |
부록 1 지도그리기 심화 학습자료
부록 2 지도분석 심화: 준비작업

4장 연결망 분석 기초: 복잡한 연결, 쉽게 분석하기 ―강수진·김용수·김희진
1. 서론
2. 연결망의 기본 요소
3. 연결망 그래프
4. 연결망 측정하기: 중심성
5. 결론
| 연습문제 |
부록 1 연결망 그래프의 유형: 심화
부록 2 게피로 연결망 기초 익히기

5장 연결망 분석이 보여 주는 작가의 탄생: 찰스 디킨스 편지 분석 ― 설연지
1. 서론
2. 연결망 분석: 사례 및 방법
3. 연결망 그래프 작성 준비하기
4. 연결망 그래프 작성 및 분석
5. 결론
| 연습문제 |

6장 공기어 연결망을 통한 소설 분석: 『위대한 개츠비』의 화자와 인물, 그리고 신화 만들기 ― 김용수
1. 서론
2. 공기어 연결망 분석
3. 연결망 시각화와 분석 사례
4. 결론
| 연습문제 |

7장 관계의 흐름, 감정의 전환: 동적 연결망으로 읽는 『오만과 편견』 ― 강수진
1. 서론
2. 다층 연결망과 동적 연결망
3. 『오만과 편견』의 동적 연결망
4. 결론
| 연습문제 |

8장 사랑의 곡선: 감정 분석을 통한 셰익스피어의 소네트 분석 ― 이하람
1. 서론
2. 감정 분석의 기초
3. 감정 곡선: 셰익스피어 소네트의 사랑의 곡선
4. 결론
| 연습문제 |

9장 자연과 도시: 버지니아 울프의 일기와 토픽 모델링 ― 전보미
1. 서론
2. 토픽 모델링의 이해
3. 토픽 모델링 실습
4. 결론
| 연습문제 |

10장 브론테 자매의 문체 분석: 스타일로메트리로 조망하는 근대 영국 소설 ― 장성현
1. 서론
2. 스타일로메트리의 기초
3. 스타일로메트리 연습
4. 결론
| 연습문제 |

11장 비극인가 역사극인가?: 딥러닝 텍스트 분류를 통한 르네상스 희곡 분석 ― 김희진·강수진
1. 서론
2. 텍스트 분류의 기초
3. 르네상스 희곡 분류 실습
4. 결론
| 연습문제 |

https://www.yes24.com/product/goods/194757581

게시물 [책] 디지털 인문학의 길잡이: 입문 (이하람/김희진 외)이 KADH / 한국디지털인문학협의회에 처음 등장했습니다.

Received before yesterday
✇13 - 韩国数字人文协会（KADH）

[특강] 인공지능 시대 사료의 정리와 활용 / 이화여자대학교 @2026.08.06.

作者Baro
2026年8月4日 13:08

이화여자대학교 사학과에서 “AI시대 역사학 방법론 탐색”을 주제로 해외학자 초청특강을 개최합니다. 절강대학교 역사학원의 장엔페이 연구원을 초청하여 인공지능 시대에 역사 사료를 어떻게 정리하고 활용할 것인지에 대해 다룰 예정입니다.

  • 강연 주제: 인공지능 시대 사료의 정리와 활용 (人工智能时代的史料整理与应用)
  • 일시: 2026년 8월 6일(목) 15:00 ~ 16:30
  • 장소: 이화여자대학교 학관 552호
  • 강연자: 장엔페이(張燕飞) 연구원 (절강대학교 역사학원)
  • 통역 및 대담: 최해별 교수 (이화여자대학교 사학과)

  • 주관: 이화여자대학교 사학과 · 이화사학연구소 · 지구사연구소
  • 주최: Ewha Global Excellence Program (텍스트와 이미지의 융합 연구단)

게시물 [특강] 인공지능 시대 사료의 정리와 활용 / 이화여자대학교 @2026.08.06.이 KADH / 한국디지털인문학협의회에 처음 등장했습니다.

✇13 - 韩国数字人文协会（KADH）

[채용] 비전임 / 경북대 경북인문사회연구원 / 2026년 9월

作者김병준
2026年8月4日 11:04

경북대학교는 교육부와 한국연구재단이 추진하는 ‘2026년도 인문사회대학기초연구소 지원사업’에 최종 선정되어
경북대학교 경북인문사회연구원 학술연구교수를 붙임과 같이 채용하오니 역량 있는 분들의 많은 지원 바랍니다.

2026년 7월 29일

* 수정사항

8. 제출서류: 연구계획서 1부(글자 크기 10pt, 5쪽 이내)

https://knu.ac.kr/wbbs/wbbs/bbs/btin/viewBtin.action?btin.bbs_cde=8&btin.doc_no=1337990&btin.appl_no=000000&btin.page=2&btin.search_type=search_subject&btin.search_text=%EC%9D%B8%EB%AC%B8%EC%82%AC%ED%9A%8C&popupDeco=&btin.note_div=row&menu_idx=220

게시물 [채용] 비전임 / 경북대 경북인문사회연구원 / 2026년 9월이 KADH / 한국디지털인문학협의회에 처음 등장했습니다.

✇4 - 德语区数字人文研究协会博客（DHd-Blog）

Women Playwrights in Digital Corpora: a DraCor Hackathon

作者Erik Renz
2026年8月4日 23:12

Literary historians maintain that women have never contributed significantly to the German drama. Facts, however, point clearly to the opposite. Indeed, the first known German dramatist (10th century) was a woman! Two major causes for the lack of historic recognition are: (a) prejudice that women are incapable of good dramatic production, (b) underrating of plays because professional critics—traditionally men—have used male psychology as the criterion for judging female characters in plays by women. A revaluation of women’s contributions to drama is imperative.
(Scholtz Novak 1972, 47)

When the German-born American scholar of German literature Sigrid Scholtz Novak issued her call for greater recognition of women playwrights in the early 1970s, she was responding to a literary historiography that had either largely overlooked women’s extensive dramatic production or fundamentally questioned its aesthetic and historical significance. More than five decades later, scholarly engagement with women playwrights has expanded considerably. Nevertheless, the problem of accessibility identified by Scholtz Novak remains unresolved. Many plays by women are still available only in historical print editions, are dispersed across libraries and archives, or are absent from the digital text collections that increasingly underpin literary-historical scholarship and computational research.

Within the Digital Humanities, accessibility entails more than the provision of a digital surrogate. For literary works to be discoverable, systematically analysable, and reusable across different research contexts, they must be represented in structured and interoperable formats, documented with reliable metadata, and integrated into sustainable research infrastructures. Digital corpora therefore are not neutral representations of literary history. Their composition reflects historical processes of publication, preservation, canon formation, scholarly reception, selection, and digitisation. As a result, works by women remain substantially underrepresented in many digital collections.

Against this background, the University of Rostock will host the hackathon Women Playwrights in Digital Corpora from 7 to 9 September 2026. The event will address both the digital representation and computational analysis of plays by women, with particular attention to their integration into the DraCor research infrastructure.

DraCor (short for Drama Corpora) is an open and multilingual research infrastructure for the computational study of drama from antiquity to the twentieth century. Its corpora are encoded according to the guidelines of the Text Encoding Initiative (TEI) and made available through a web interface and an application programming interface (API). DraCor currently comprises 33 drama corpora containing more than 4,000 annotated full-text plays in 24 languages. As a community-driven project committed to open-science principles, it supports a broad international research landscape in computational drama analysis and theatre history.

About the Hackathon

The hackathon will take place in Rostock from 7 to 9 September 2026. Hosted by the Professorship for Digital Humanities at the University of Rostock, the three-day event will bring together researchers from computational literary studies, cultural analytics, digital scholarly editing, theatre studies, and related fields.

The program will combine introductory training sessions on encoding dramatic texts in TEI and working with DraCor data with scholarly presentations, collaborative working sessions, and discussion formats. During the working sessions, participants may either pursue projects of their own or contribute to prepared thematic work packages.

Program

Monday, 7 September 2026

13:00–13:15
 
Welcome and Introduction
 
13:15–14:45
 
Beginners’ Training Session I: From Dramatic Text to DraCor TEI
Tutors: Julia Jennifer Beine and Aşina Aleyna Yıldız (both Würzburg)
 
14:45–15:15
 
Coffee Break
 
15:15–16:45
 
Beginners’ Training Session II: Analyses with DraCor Data
Tutor: Frank Fischer (Berlin)
 
16:45–17:15
 
Coffee Break
 
17:15–18:45
 
Opening Keynote
 
19:30
 
Informal Dinner

Tuesday, 8 September 2026

09:00–10:30
 
State of the Art: Women Playwrights in Digital Corpora
Speaker 1: Anna Axtner-Borsutzky
Speaker 2: TBA
Speaker 3: TBA
 
10:30–11:00
 
Coffee Break
 
11:00–12:30
 
Collaborative Working Session I
 
12:30–13:30
 
Lunch Break
 
13:30–15:00
 
Collaborative Working Session II
 
15:00–15:30
 
Coffee Break
 
15:30–17:00
 
Battle of the Plays World Championship 2026
Moderators: Frank Fischer and Antonio Rojas Castro (both Berlin)

Wednesday, 9 September 2026

09:00–10:30
 
Collaborative Working Session III
 
10:30–11:00
 
Coffee Break
 
11:00–12:00
 
Round Table Discussion
 
12:00–12:30
 
Closing Remarks

The hackathon is conceived as an open and collaborative environment for exploring methodological and practical questions relating to digital drama analysis, text encoding, corpus development, metadata modelling, and data enrichment. Rather than focusing exclusively on completed research results, the event invites participants to develop and test new approaches, exchange expertise, and collaborate on concrete textual and data-based materials. Possible topics may include:

  • the encoding, documentation, and enrichment of plays by women;

  • the integration of new plays into existing or newly established DraCor corpora;

  • the digital modelling and analysis of characters and gendered patterns of representation;

  • the computational analysis of character networks, speech distribution, scene structures, and stage directions;

  • comparative analyses across languages, historical periods, dramatic genres, and theatrical traditions;

  • the reconstruction of reception and transmission networks through authority data and linked open data;

  • the development of methods for linking plays, authors, characters, performances, translations, adaptations, and other forms of reception.

The event is open both to participants with previous experience of DraCor or TEI and to interested newcomers. No prior technical knowledge is required.

Registration

The event will take place on site at the University of Rostock. Participation is free of charge and limited to 35 participants. To register, please send an email to phf.dh@uni-rostock.de. When registering, please indicate whether you would also like to attend either or both of the following accompanying events:

  • Monday, 7 September 2026, from 7:30 p.m.: Informal dinner at L’Osteria Rostock. Participants are responsible for covering their own expenses.

  • Tuesday, 8 September 2026, 3:30–5:00 p.m.: Battle of the Plays World Championship 2026

Venue

Seminar Rooms 105 and 116
Philologicum
Universitätsplatz 3
18055 Rostock
Germany

Local organisers: Erik Renz and Ulrike Henny-Krahmer

Contact: phf.dh@uni-rostock.de

The event is organised with the support of the team of the Professorship for Digital Humanities at the University of Rostock. It forms part of the activities of the Rostock Working Group for Digital Humanities (RosDH) and is funded by the Department “Wissen – Kultur – Transformation” of the Interdisciplinary Faculty and by the Faculty of Humanities at the University of Rostock.

✇4 - 德语区数字人文研究协会博客（DHd-Blog）

Universität Heidelberg: Research Data Engineer 100% E13 (w/m/d)

作者Nele Schneidereit
2026年8月3日 16:38

Heidelberg University is a comprehensive university with a strong focus on research and international standards. With around 32,200 students and 9,540 employees, including numerous top researchers, it is a globally respected institution that also has outstanding economic significance for the Rhine-Neckar metropolitan region.

The Heidelberg Center for Digital Humanities is one of Germany′s leading institutions in the fields of digital and computational humanities. Its key areas of focus are digital linguistics, digital heritage, and AI/machine learning. Thanks to its close ties with the Interdisciplinary Center for Scientific Computing (IWR), the HCDH pursues the computational humanities with particular intensity.

The Research Data Engineer full-time position (E13, 100%) for a term of 4 years, with the option to extend is available at the Heidelberg Center for Digital Humanities (HCDH) starting December 1, 2026 (or earliest possible).

Your responsibilities:

  • Bridging the gap between cultural heritage data and advanced computational research: Design and build data storage layers and data processing pipelines that enable our humanities researchers to create and analyze massive, heterogeneous datasets (including legacy data)—ranging from historical texts and archives to multimedia, 3D and spatial data
  • Research Collaboration: Act as the technical consultant for humanities scholars, translating complex research questions into viable computational and database requirements
  • Data Pipelines: Design, implement, and maintain scalable pipelines to ingest, clean, and harmonize diverse cultural heritage and other data and create interoperable datasets for research
  • Data architecture: Design, implement, and maintain data structures and connect to existing data storage layers and infrastructure
  • Semantic Web & Knowledge Graphs: Develop and optimize graph databases, ontologies, and semantic models (e.g., using RDF, OWL, CIDOC-CRM) to interconnect complex historical and cultural data
  • Tool Development & Automation: Build custom APIs, and scripts (primarily in Python) to automate data ingestion, text-mining, and natural language processing (NLP) workflows
  • FAIR and FAIR4RS principles: Collaborate with the Research Data Unit and Scientific Software Center and its Data Science Unit at the IWR, and the University Computing Centre (HPC and storage infrastructure)

Your profile:

  • Education & Background: Preferably a PhD, but MA/MSc are encouraged to apply
  • Soft Skills: Strong communication skills to effectively collaborate across interdisciplinary teams of software engineers and traditional humanities scholars
  • Core Tech Stack: Excellent knowledge of Python (plus libraries like Open3D, Pandas, SpaCy, or NLTK) and version control using Git, experience with Rust and/or PyTorch is a plus
  • Database & Semantic Web Skills: Strong experience with databases (e.g., Neo4j, GraphDB, NoSQL, SQL) and semantic web technologies (e.g., SPARQL, JSON-LD)
  • DH Standards: Ideally knowledge of text encoding standards (e.g., TEI-XML) and metadata schemas (e.g., Dublin Core, MODS, LIDO); desirable: Experience with working with humanities’ data
  • Independent and structured work style, ability to work in teams and to fixed timelines
  • Language requirements: Very good English language skills, desirable: basic German skills

We offer:

  • The opportunity to work at the cutting edge of digital and computational humanities using modern AI and data engineering methods
  • Work in an innovative environment with the opportunity of professional training and qualification in the emerging professional field of research data engineering
  • A highly collaborative, interdisciplinary, and international research environment
  • Support for active contributions to the Open Source and Digital Humanities communities
  • Excellent opportunities for independent research and further academic training
  • Flexible working hours and a good work-life balance; part-time remote work is possible
  • Opportunity for further training and building a professional network by participating in national and international conferences
  • A dedicated team that supports each other
  • Workplace in the very Center of Heidelberg Altstadt with good public transport
  • Access to university sports offers
  • Support for employee mobility through a subsidized Deutschlandticket

The position is a 4-year fixed-term position with the possibility of extension. Remuneration is based on the TV-L collective agreement (pay group 13). The position is suitable for job-sharing.

We look forward to receiving your application (in English), including the following documents: cover letter, CV including a project list, proof of academic degree, employment references and list of references (2-3 names and contact details), by 14 September 2026, sent to as a single PDF file via email to nele.schneidereit@uni-heidelberg.de (max. of 25 MB).

There will be a two-stage process, with online interviews taking place in the first half of October. We will invite the remaining candidates to an in-person interview on October 23. Please save the date.

Heidelberg University stands for equal opportunities and diversity. Qualified female candidates are especially invited to apply. People with severe disabilities will be given preference if they are equally qualified. Information on job advertisements and the collection of personal data is available at www.uni-heidelberg.de/en/job-market.

✇7 - PubMed

More Gender, Little Feminism: <em>Technology and Culture</em> and the Gendered Historiography of Technology, 1960-2025

作者Ginevra Sanvitale
2026年8月3日 18:00

Technol Cult. 2026;67(3):973-7. doi: 10.1353/tech.2026.a996506.

ABSTRACT

This article offers the first comprehensive review of women's contributions and gender-focused research in Technology and Culture (T&amp;C) from its early years through 2025. Using a mixed-methods approach that combines distant reading of digital publication datasets with qualitative mapping of milestones and turning points in the history of T&amp;C, the article examines how the gender composition of authors evolved over time, how this has influenced the journal's content, and what broader role feminist theory has played in shaping new scholarly directions in the history of technology. Findings reveal that while women authors and gender-focused studies have steadily increased in number, engagement with feminist theory followed a less linear trajectory. Early historians advanced feminist approaches that influenced fields such as feminist science and technology studies and feminist digital humanities. Yet the normalization of gender analysis within the history of technology did not produce a similarly consolidated feminist historiographical tradition. The article concludes by outlining possible directions for recovering a more explicit feminist historiographical and methodological conversation within the field and across adjacent interdisciplinary domains.

PMID:42544481 | DOI:10.1353/tech.2026.a996506

✇1 - 数字人文组织联盟（ADHO）

Julia Flanders Awarded Roberto Busa Prize

作者Dena Shamsizadeh
2026年8月1日 21:35
Julia Flanders has been awarded ADHO’s Roberto Busa Prize. Julia Flanders has spent over three decades building and sustaining the digital infrastructure that humanities scholarship depends on, most notably as director of the Women Writers Project since 2000. She is a founding editor and, since 2007, editor-in-chief of Digital Humanities Quarterly (DHQ), one of the… Read More »Julia Flanders Awarded Roberto Busa Prize
✇20 - 意大利人文信息学与数字文化协会（AIUCD）

DH 2029 a Padova!

作者emmanuela.carbe
2026年7月31日 16:01

Padova ospiterà la conferenza internazionale Digital Humanities 2029

Padova è stata scelta come sede di DH2029, la conferenza internazionale annuale dell’Alliance of Digital Humanities Organizations (ADHO). L’annuncio è stato dato oggi, 31 luglio, durante DH2026, in corso a Daejeon, Corea del Sud.

La conferenza si terrà nel luglio 2029 e avrà come tema “From Cultural Data to Multilingual Knowledge Infrastructures”. La candidatura riunisce l’Università di Padova insieme alla comunità di AIUCD e alla rete internazionale delle Digital Humanities.

Un risultato di grande rilievo per l’intera comunità italiana. Congratulazioni al gruppo promotore, in particolare a Giorgio Maria Di Nunzio, e a tutte le persone e le istituzioni coinvolte!

L'articolo DH 2029 a Padova! proviene da AIUCD.

✇14 - 印度数字人文研究与教学创新联盟（DHARTI）

DHARTI Logo

作者Darshayata Deka
2026年7月31日 22:28

A New Symbol, The Same Soul Every logo that comes to represent an institution carries within it a small history of deliberation, of choices weighed and set aside, and of a community deciding, together, what it wishes to be seen as. DHARTI’s new logo is one such mark, born of a collective process and now […]

✇14 - 印度数字人文研究与教学创新联盟（DHARTI）

Digital Humanities Summer School 2026 | Concept Note

作者Darshayata Deka
2026年7月30日 00:04

Concept Note Undergraduate humanities education in India has historically trained students within single-disciplinary silos. The engagement in the field of humanities has transformed with the advent of the digital tools and the interlinked spaces, breaking disciplinary boundaries and connecting, overlapping teaching-learning and research. This summer school proposes to address the possibilities of the ever expanding […]

✇1 - 数字人文组织联盟（ADHO）

ADHO Announces New SIG, Interactive Digital Narratives (SIG_IDN)

作者khemka
2026年7月31日 06:20
The Alliance of Digital Humanities Organizations (ADHO) is pleased to announce the formation of the Special Interest Group for Interactive Digital Narratives (SIG_IDN). The new SIG brings together scholars, artists, designers, technologists, and creative practitioners working on interactive and computationally mediated forms of storytelling. Interactive Digital Narratives encompass works in which computation, interface, and user… Read More »ADHO Announces New SIG, Interactive Digital Narratives (SIG_IDN)
✇1 - 数字人文组织联盟（ADHO）

ADHO Welcomes the Hong Kong Association for Digital Humanities (HKADH) as a New Constituent Organization

作者Dena Shamsizadeh
2026年7月29日 17:35
The Association for Digital Humanities Organizations (ADHO) is pleased to announce that the Hong Kong Association for Digital Humanities (HKADH) has joined ADHO as its newest constituent organization. The Hong Kong Association for Digital Humanities (HKADH) is a non-profit, non-political scholarly organisation promoting digital humanities in the Hong Kong SAR. The Association is dedicated to… Read More »ADHO Welcomes the Hong Kong Association for Digital Humanities (HKADH) as a New Constituent Organization
✇1 - 数字人文组织联盟（ADHO）

ADHO announces the election of four new members to the Executive Board

作者Dena Shamsizadeh
2026年7月29日 17:19
We are delighted to announce that four new members will join the Executive Board (EB) of ADHO for three-year terms (2026-2029), beginning after the DH2026 conference. Thanks to everyone who applied for the positions. Chair-Elect – Eduard Arriaga-Arango, Chair and Associate Professor, Language, Literature, and Culture, Clark University, USA Deputy Secretary – Silvia-Adriana Tomescu, Research librarian, National University of Political Studies… Read More »ADHO announces the election of four new members to the Executive Board
✇1 - 台湾数位人文学会

DADH 2026 Call for Paper 延期至8月10日，歡迎投稿！

作者tadheditor
2026年7月30日 02:22

「第十七屆數位典藏與數位人文國際研討會(DADH 2026)」徵稿啟事
CFP: The 17th International Conference of Digital Archives and Digital Humanities (DADH 2026)

DADH 2026 Poster

時間：2026年10月31(六)~11月1日(日)
地點：國立中山大學

摘要截稿：7月31日(五)　延期至8月10日(一) 17:00 (任何時區)
審查通知：8月15日(六)
全文截止：10月2日(五)

歡迎踴躍投稿！
會議網站：https://sites.google.com/view/2026dadh/

✇4 - 德语区数字人文研究协会博客（DHd-Blog）

Call for Hosts DHd2029

作者Vivien Wolter
2026年7月29日 21:27

DHd20xx ist die jährliche, internationale Fachtagung der Digital Humanities im deutschsprachigen Raum (DHd, https://digitalhumanities.de) und die führende wissenschaftliche Konferenz für die Digital Humanities im deutschen Sprachraum (Vergangene Konferenzen: https://digitalhumanities.de/vergangene-konferenzen/). Der Fachverband Digital Humanities im deutschsprachigen Raum bittet nun um Bewerbungen um die Ausrichtung für die fünfzehnte Tagung (DHd2029). Da der Fachverband anstrebt, die Konferenz wechselnd in Deutschland und außerhalb Deutschlands zu veranstalten, freuen wir uns besonders über Bewerbungen von Einrichtungen aus dem deutschsprachigen Raum außerhalb Deutschlands.

Bisherige Konferenzen haben bis zu 650 Teilnehmer:innen aus dem deutschsprachigen Raum und angrenzenden Ländern angezogen. Die Tagungsprogramme sahen jeweils zwei Tage für Workshops und drei Tage für das Hauptprogramm bestehend aus Keynotes, parallelen Sektionen mit wissenschaftlichen Vorträgen, Paneldiskussionen, Posterpräsentationen und Doctoral Consortia vor. Die Einführung neuer Formate ist in Abstimmung mit dem Verband und dem Programmkomitee möglich.
Das wissenschaftliche Programm der Tagung wird durch ein vom Fachverband eingesetztes internationales Programmkomitee auf Grundlage eines Call for Papers und eines anschließenden Review-Verfahrens erstellt. Das Konferenzprotokoll des DHd-Verbands muss berücksichtigt werden (https://digitalhumanities.de/konferenzprotokoll/).

Die Tagung finanziert sich über Teilnahmegebühren und von der ausrichtenden Institution bereitgestellte oder über Partner:innen oder Sponsor:innen eingeworbene finanzielle Mittel. Die erhobene Tagungsgebühr ist mit dem Vorstand des Fachverbandes abzustimmen und soll vier Kategorien umfassen: reguläre und ermäßigte Mitglieder des DHd (letztere im Sinne der Regelung zur ermäßigten Mitgliedschaft im DHd-Verband) sowie reguläre und ermäßigte Nicht-Mitglieder des DHd.

Die Bewerbung um die Ausrichtung der DHd2029 soll umfassen:

  • einen Vorschlag für ein Tagungsmotto sowie zwei Terminvorschläge (bevorzugt im Zeitraum Februar bis März). Bei der Terminplanung soll auf potentiell konkurrierende Konferenzen, Semesterzeiten und Feiertage sowie Schulferien geachtet werden.
  • einen Überblick über die für die Konferenz bereitgestellte Infrastruktur (vor allem Tagungsräume für Workshops, AG-Sitzungen, parallele Sektionen und Plenarveranstaltungen)
  • Aussagen über die Unterstützung der Ausrichtung vor Ort (z.B. durch die Universitätsleitung)
  • eine Aussage über die Verwendung von Management- und Bezahlsystemen (das System Conftool ist dafür etabliert und soll zumindest für die Einreichungen genutzt werden)
  • eine Aussage über die Unterstützung der Publikation der Tagungsbeiträge in Kooperation mit dem Data Steward des DHd-Verbands
  • Angaben zur Erreichbarkeit des Tagungsortes (bzw. ggf. der Tagungsorte) und die Verfügbarkeit von Unterkünften (inkl. Preisschätzungen)
  • eine Einschätzung zu den Möglichkeiten einer teilweisen virtuellen Partizipation
  • Ideen für Social Events
  • Vorschläge zur Erreichung einer hohen Sichtbarkeit der Tagung
  • Maßnahmen zur Förderung von Nachwuchswissenschaftler:innen (inkl. Studierende)
  • eine vorläufige Kostenkalkulation und Vorstellungen über die Tagungsgebühr
  • ggf. Preiskonzept bei Planung einer vollständigen Hybridkonferenz
  • eine Erklärung, dass die Konferenz entsprechend der im Konferenzprotokoll dargelegten Bedingungen ausgerichtet wird.

Der Verband begrüßt Maßnahmen, die auf Inklusion und Minimierung des Ressourcen-Fußabdrucks abzielen.

Bewerbungen werden bis 31.10.2026 entgegengenommen (formlos per E-Mail an den Tagungskoordinator im Vorstand des Fachverbandes, Nils Reiter: nils.reiter@uni-koeln.de). Interessierte Ausrichter:innen werden gebeten möglichst frühzeitig, in jedem Falle aber vor Einreichung ihrer Bewerbung, mit Nils Reiter Kontakt aufzunehmen. Die Bewerbung sollte zehn Seiten möglichst nicht überschreiten. Die Vergabe der Tagung erfolgt durch den Vorstand des Fachverbandes bis spätestens 31.01.2027.

✇7 - PubMed

Digital Humanities in Child and Adolescent Mental Health Services: A Review

作者Saahoon Hong · Betty Walton · Hea-Won Kim
2026年7月28日 18:00

Children (Basel). 2026 Jul 22;13(7):967. doi: 10.3390/children13070967.

ABSTRACT

BACKGROUND/OBJECTIVES: Artificial intelligence (AI) is increasingly used in youth mental health services, including clinical decision support, risk prediction, and digital therapeutics. However, existing frameworks provide limited guidance for integrating ethical, cultural, and relational considerations into the design, governance, and implementation of AI-enabled mental health technologies. This scoping review examined how digital humanities-informed approaches have been incorporated into AI-supported mental health interventions for children and adolescents.

METHODS: A scoping review was conducted following the PRISMA Extension for Scoping Reviews (PRISMA-ScR) guidelines. Peer-reviewed literature published between 2015 and 2025 was searched using PubMed and supplemented by semantic searches through Elicit. Systematic reviews, scoping reviews, and meta-analyses examining AI-enabled digital mental health interventions and digital humanities perspectives were included. Data were synthesized using inductive thematic analysis.

RESULTS: Seventeen review-level studies met the inclusion criteria. Six recurring themes were identified: engagement, participatory co-design, human oversight, equity, ethical governance, and implementation. Across the included reviews, humanities-informed approaches were associated with greater attention to relational engagement, stakeholder participation, transparency, contextual adaptation, and culturally responsive implementation. Evidence supporting intervention effectiveness was strongest in systematic reviews and meta-analyses, whereas findings related to ethics, governance, equity, and implementation were derived primarily from scoping reviews and conceptual syntheses.

CONCLUSIONS: This review suggests that digital humanities provides a valuable interdisciplinary perspective for informing the design, governance, and implementation of AI-enabled youth mental health interventions. Although the current evidence base remains heterogeneous, integrating humanities-informed approaches may support the development of AI systems that are more ethical, equitable, and developmentally responsive. Future research should evaluate these approaches through empirical implementation studies and emerging generative AI applications.

PMID:42509992 | PMC:PMC13406150 | DOI:10.3390/children13070967

✇比 - 鲁汶大学（KU Leuven）

Event Series: DH@rts Drop-in Sessions (Fall 2026)

作者Rebecca Burke
2026年7月23日 16:41

Have you been meaning to set up an appointment to ask about research data management for your project, an aspect of your research workflow, or a specific DH tool or method? Visit one of our drop-in sessions and we will help you on the spot! No need to make an appointment!

The sessions are designed to support researchers, students, and staff members in all areas of digital scholarship. The initiative is a collaboration between Artes Research, DH-support staff and researchers at the Faculty of Arts, and ICTS at the Faculty of Arts.

Some areas we can help you with:

  • Providing resources for various DH and RDM tools
  • Advice on DMPs and Research Data Management in general
  • Suggesting DH tools or methods for your specific research questions
    • Relational databases in FileMaker
    • Social Network Analysis and network visualizations
    • Computational tools for working with texts
    • …
  • Getting started with Zotero or optimizing Zotero use with an existing Zotero library
  • Advice on scholarly communication
  • Advice on Lirias
  • … and much more!

Don’t have a question about any of the above but want to learn more about DH? No problem! Come and use our space for co-working! It’s a great moment to develop digital skills by starting a Programming Historian tutorial, for instance!

Everyone is welcome to attend, you do not need to register!

Stop by on one of the following dates and we will be glad to help you:

  • 24/09/2026: 13:30h -15:30h, Het Salon LETT 00.24, Erasmushuis
  • 22/10/2026: 13:30h -15:30h, Het Salon LETT 00.24, Erasmushuis
  • 10/11/2026: 13:30h -15:30h, Het Salon LETT 00.24, Erasmushuis
  • 10/12/2026: 13:30h -15:30h, Het Salon LETT 00.24, Erasmushuis

✇比 - 鲁汶大学（KU Leuven）

Open Access journals published in Belgium without author fees

作者Demmy Verbeke
2026年6月24日 05:09

This blog post was written by Demmy Verbeke and Laura Mesotten.

A first version of the dataset dedicated to the landscape of Belgian Open Access (OA) journals which do not charge author fees has been published with DOI 10.5281/zenodo.20760254.

This overview, compiled by Laura Mesotten and Demmy Verbeke, provides a comprehensive list of Belgian Diamond OA journals – defined as journals that are published in OA without charging author fees and that are governed by the academic community. The dataset includes a range of bibliographical, editorial, and technical details, such as ISSNs, publishing software used, funding sources, and peer review status. In addition, the dataset documents the operational Diamond OA criteria for journals as developed in the context of the DIAMAS and CRAFT-OA projects. As such, it serves as a practical tool for identifying journals that are eligible for inclusion in the Diamond Discovery Hub maintained by the European Diamond Capacity Hub.

The “About” section of the dataset outlines the methodological choices and scope. For instance, it specifies the criteria used to determine whether a journal qualifies as Belgian. For the purposes of this dataset, a journal is considered Belgian if its publisher or publishing entity (i.e., the institution or society responsible for the journal) is legally based in Belgium. In cases of co-publishing, a journal is also considered Belgian if at least one co-publisher or publishing entity is legally based in Belgium, even if the registered publisher is located elsewhere. By contrast, indicators such as the nationality or institutional affiliations of editors, funding from Belgian institutions, or distribution via Belgian platforms are not considered as sufficient grounds for classifying a journal as Belgian.

The dataset further includes a “Belgian delayed OA journals” tab, which provides information on journals whose content is made openly available after an embargo period. Inclusion in this category is restricted to journals where OA applies to the issue as a whole (rather than to individual articles) and where such access is unconditional – that is, authors can be assured that their publication will become openly accessible after a defined embargo period. No restrictions are imposed on the length of the embargo, and, where identifiable, the duration of embargo period is explicitly recorded in the dataset. Journals are excluded from this category if it is not clearly stated that they provide delayed OA, or if it remains uncertain whether the availability of open content reflects an established embargo policy or merely the opening up of the journal’s archive, without reassurance that newly published material will become openly accessible over time. This section should be viewed as an initial exploratory effort to map delayed OA journals in the Belgian context. While distinct from Diamond OA, delayed OA regularly shares certain features with it, notably the absence of author-facing fees. Further research will be required to validate and refine the identification of such journals. Including them at this stage enables their separate documentation and supports the monitoring of changes in access conditions over time.

As a first release, the dataset should be regarded as a living resource rather than a definitive inventory. It is intended to support research and analysis on scholarly communication and Diamond Open Access publishing in Belgium, while also facilitating the visibility and monitoring of community-led journals. The dataset will be periodically updated to reflect changes in journal policies, platforms, and indexing statuses. Users are encouraged to consult the most recent version and to share additions, corrections, or comments with the authors.

❌