“AI를 활용한 한국 근대소설 TEI 태깅” 한국 근대소설 텍스트를 수집/정제하고, 구글 AI studio와 프롬프트 엔지니어링을 통해 TEI/XML 반자동 태깅을 하는 과정을 다룬다. 반자동 태깅 이후에는 연구자들의 검수를 통해 태깅을 수정 보완한다. 이 과정에서 국한문 혼용 및 일본어/중국어/영어 등의 외국어가 포함된 한국 근대문학 텍스트에 최적화된 TEI 태깅 작업의 전과정을 다루며, 30여개의 소설 텍스트를 태깅한 KNoTE (Korean Novel TEI Encoded) dataset을 공개한다.
본 대회(7월 29–31일)에 앞서 7월 27–28일(월–화) 이틀간 미니컨퍼런스 12개, 워크샵 18개, SIG 미팅 5개 등 총 35개 세션이 진행됩니다. 모든 프리컨퍼런스 이벤트는 대회 등록자에게 무료로 제공되며, ConfTool 등록 시 과정에서 참가를 신청할 수 있습니다.
📢 프리컨퍼런스 CFP — DH2026에서 발표할 수 있는 새로운 기회
일부 미니컨퍼런스와 SIG에서 자체적으로 논문 발표자를 모집하고 있습니다. 본 대회의 발표 채택 여부와 관계없이 지원할 수 있는 별도의 기회이므로, 관심 있는 분들의 적극적인 참여를 부탁드립니다.
현재 공개된 CFP는 아래 3건이며, 향후 추가 CFP가 공개될 수 있으니 프리컨퍼런스 페이지를 수시로 확인해 주시기 바랍니다.
1. AI for Ancient Studies (AI4AS): Artificial Intelligence, Engagement, and the Fragility of Ancient Scripts
The Alliance of Digital Humanities Organizations (ADHO) is seeking expressions of interest for several positions, offering members an opportunity to contribute to and help shape the future of the field. As the field of Digital Humanities continues to grow and evolve, ADHO is committed to promoting and supporting digital research and teaching across arts and humanities disciplines, drawing together humanists engaged in digital and computer-assisted research, teaching, creation, dissemination, and beyond in all areas reflected by its diverse membership. ADHO supports initiatives for publication, presentation, collaboration, and training; recognizes and supports excellence in these endeavours; and acts as a community-based consultative and advisory force.
Please click on the links above for full role descriptions and application details.
By joining the ADHO board, you will have the chance to work alongside leading experts in the field and contribute to shaping the policies and practices that define Digital Humanities. We offer a collaborative and inclusive environment where your ideas and contributions are valued.
서울대학교 AI디지털인문학센터와 철학사상연구소에서는 AI를 활용한 서양 고전문헌 연구 플랫폼을 구축하고 있는 일본 휴마니텍스트 프로젝트의 참여 학자들을 초청하여 “AI로 만들어가는 인문학의 미래”라는 주제로 강연회를 개최합니다. 연구자와 학생분들의 많은 관심과 참여 부탁드립니다.
휴마니텍스트: AI로 만들어가는 인문학의 미래 Humanitext: Shaping the Future of Humanities with AI
장소: 서울대학교 신양학술정보관[4동] 302호 시간: 3월 9일 오후 2시-4시 사회: 서울대학교 철학과 이상엽 교수
강연자 1: Naoya Iwata (Nagoya University; National Institute of Informatics) 강연 제목:Scaling Humanitext Antiqua: Advances in RAG Retrieval Accuracy and Corpus Expansion for a Western Classical Literature Platform 강연 초록: This talk presents recent progress on Humanitext Antiqua, an AI-powered platform for Western classical literature. We report on three developments: improvements to RAG retrieval accuracy through context-aware query reformulation; an ongoing corpus expansion from approximately 1,000 to 2,500 works; and a metadata enrichment workflow that combines automated Wikidata linking with human-in-the-loop review as a scalable annotation strategy.
강연자 2: Ikko Tanaka (J. F. Oberlin University) 강연 제목: Extending the Horizons of Western Classical Texts toward Networked Interpretation — Linking Texts, References, and Spatiotemporal Context with LLMs 강연 초록: This lecture presents two systems developed within the Humanitext project as extensions of its core vectorized corpus of Western Classical texts. Humanitext Reader develops a structured reference framework linking primary texts with ancient commentaries and modern research, addressing variation in citation scope and differences between textual editions. Humanitext GEO integrates the vectorized corpus with temporal and geographic frameworks through Linked Open Data, enabling city-centered synchronic and diachronic exploration. Together, these systems outline the development of an AI-assisted interpretive infrastructure connecting texts, references, and spatiotemporal context.
강연자 3: Jun Ogawa (University of Tokyo) 강연 제목: Humanitext Schema: Struggles to Connect Text Sources and Integrate Broad Knowledge 강연 초록: Humanitext Antiqua generates answers grounded in accurate primary sources, yet its major limitation is the insufficient integration of extra-textual context, such as related text fragments, commentaries, and secondary scholarship. Because semantic connections between sources rely on expertized knowledge, they cannot be captured through vector similarity alone. We therefore propose linking texts and contextual information through a knowledge graph and incorporating it into the generation process. Our work explores methods for modeling text–commentary relationships as a first step, including a TEI-based DTS, character-level RDF representation, and property graphs. This talk outlines our experiments and the trial-and-error process behind this approach.
The Korean Journal of Digital Humanities (KJDH), published by the Korean Association for Digital Humanities (KADH), invites submissions for Volume 3, Issue 1, scheduled for publication in May 2026.
Key Dates
Manuscript submission deadline: April 1, 2026
Expected publication date: May 31, 2026
Submission and review fees: Free of charge
Journal Impact and Reach
Since its inaugural issue, KJDH has demonstrated sustained growth. As of March 2026, the journal has recorded a cumulative total of 103,000 visitors, 12,000 article views, and 7,300 downloads. The adoption of XML formatting has significantly improved web accessibility. All published articles are assigned a DOI and are freely available to researchers worldwide through the open-access journal platform AccessOn.
Journal Features
Data-Driven Research Submission of research data is required at the time of manuscript review. Upon acceptance, data are made publicly available to ensure research reproducibility.
Full Open Access Articles are published simultaneously in XML (web) and PDF formats, and are freely accessible without subscription.
Diverse Submission Formats The journal welcomes a wide range of article types, including:
Traditional research articles
Data papers
Case studies on the design and construction of humanities datasets
Short papers introducing digital tools and code
Studies on digital humanities curriculum development
Topics of Interest(not exhaustive)
Research methodologies in the humanities employing digital technologies
Development and utilization of digital archives
Analysis and visualization of humanities data
Convergence of artificial intelligence and the humanities
Length: Up to 30,000 characters (Korean manuscripts) / up to 8,000 words (English manuscripts)
Language: Korean or English
Submission and Review Process
All manuscripts must be submitted through the ACOMS+ system. Authors are required to register for an account prior to submission; please refer to the registration guide for details. Authors are also asked to upload their research data or provide a data repository link at the time of submission. Notification of review outcomes will likewise be communicated through the ACOMS+ platform.
For detailed instructions on using the ACOMS+ system and further information regarding submission requirements, please consult the submission guidelines page on the KJDH journal repository.
The Editorial Board of KJDH warmly invites scholars and researchers to contribute their work to the advancement of the digital humanities field. We look forward to receiving your submissions.
The Editorial Board, Korean Journal of Digital Humanities
AI-generated translations have been added to http://ctext.org – including the complete pre-Qin and Han corpus, the 25 dynastic histories, and hundreds of other works. Translations will be added for other texts on an ongoing basis.
제5회 2026 동아시아 고적 디지털인문학 국제논단 DHEAC: Annual International Conference on Digital Humanities for East Asia Classics
취지 수천 년에 걸쳐 전승되어 온 고대 전적은 인류 문명의 가장 중요한 매개체입니다. 한국을 비롯한 중국과 일본 등 동아시아 지역은 오랜 역사 속에서 한자 문화를 기반으로 방대한 고적 문헌을 축적 · 보존해 왔습니다. 이러한 고적 문헌은 학계가 동방 문명을 인식 · 이해 · 해석 · 연구하는 근거이자, 동서양 문화 교류의 핵심 매개 역할을 수행합니다. 동아시아 고적은 유럽과 북미 학계, 특히 국제 한학 연구의 중요한 자료로 활용되며, 서구의 동아시아 고적 연구는 본토 학계에도 중대한 영향을 미쳤습니다. 시대의 발전과 함께 OCR · 딥러닝 · 지식그래프 등 디지털 지능 기술은 고적의 정리 · 열람 · 연구 · 전파 방식에 혁신을 가져왔고, 온라인 환경은 전 세계 고적 연구자와 애호가를 긴밀히 연결하여 고전학 관련 디지털 인문학을 독립된 연구 분야로 자리매김하게 했습니다. 본 학술대회는 디지털 · 지능화 정보환경에서 고적 자원의 체계적 정리 · 개발 · 활용을 촉진하고, 고적 연구자와 정보기술 전문가 간 소통 · 협력하는 플랫폼을 구축하며, 글로벌 고전적 관련 기관 · 단체 · 개인의 협력을 강화함으로써 동아시아 고전학에 새로운 시각과 확장된 연구 공간을 제공하는 것을 목표로 합니다.
Latest submission date for inclusion in the 2026 volume: 1 October 2026
Publication on a rolling basis––––––––––
magazén | International Journal for Digital and Public Humanities is the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH). Articles undergo double-blind peer review and are published in open access and on-rolling-basis. The journal is indexed in Scopus as Q1 for Literature and Literary Theory, while it has earned the Italian ANVUR classification as Grade A journal in the area 10/B1 for Art History. It covers the international debate and methodological discourse about the collaborative development of durable, reusable, and shared resources for research, learning, and public outreach covering a wide range of topics from Digital and Public History, Art History, Archaeology and Cultural Heritage to Museum Studies and Textual Scholarship.
The name magazén refers to the historical definition of public houses in the Republic of Venice, which were thriving places of diverse human deeds, including information exchange, commercial bargains, and pawnshops.
Call for papers and edited issues | Volume 2026
magazén is accepting abstract proposals that highlight recent challenges as well as cutting edge experiences in the Digital and Public Humanities from local to international level. Scholars are particularly invited to submit contributions that span from theoretical debates to methodological reflections, also comprising the examination of particular case studies from the heterogeneous domains of Digital and Public History, Art History, Archaeology, Cultural Heritage, Museum Studies, and Textual Scholarship. magazén draws particular attention to the public aspects of these interdisciplinary domains, hosting research projects that hold firm to the principle of audience involvement from their very inception, rather than having public interaction as a derivative result of scholarly work. Eventually, the abstract proposal should address the following questions: What kind of materials and research questions are concerned? What digital/public methods and tools are employed, and what is their added value in tackling humanistic research aims? If the prospective paper addresses a case study or a particular project, authors should please state whether it has been completed and already made available to the research community, or whether it is still a work in progress. The Editorial Board is open to host single paper proposals from international scholars as well as to cover entire issues with guest editors.
Submissions | Abstracts and guidelines
For scholars interested in submitting a proposal, please send the provisional title and a 250-500 word-long abstract together with a short biographical note and a provisionalbibliography. All materials should be sent via the submission portal on the editorial platform of our academic publisher Edizioni Ca’ Foscari. Selection notification will be sent out within three weeks from the submission deadline.
Finalised contributions are expected to be 25.000-35.000 characters long (spaces, note and bibliography included) and will undergo double blind peer review. Accepted languages are Italian and English. All texts need an English abstract. The finalised paper must adhere to the editorial guidelines of Edizioni Ca’ Foscari. Texts that should not comply with editorial guidelines or whose English linguistic form should not reach a sufficient level of quality will not be accepted. Please note that the journal does not offer language proof-reading services to the authors, who must also secure all copyright permissions (reproduction costs included) for images and other media.
For further details please contact the editorial board via email at magazen@unive.it.
The Japanese Association for Digital Humanities (JADH) is pleased to announce its 15th annual conference, to be held at Kyushu University on September 11-13, 2026. Digital data do not exist in isolation. They come to life only within specific contexts of use, interpretation, infrastructure, and care. Following Jakob von Uexküll’s concept of Umwelt, this conference understands data as embedded in situated worlds of meaning—worlds shaped by disciplines, institutions, technologies, cultures, languages, and communities. Umwelt is the contextually constituted world in which data gain meaning through use and interpretation.
Under the theme “Whose World, Whose Data? Sustainability in Digital Umwelts,” this conference invites participants to rethink digital sustainability not simply as long-term preservation or technical endurance, but as a question of whose worlds are sustained, transformed, or allowed to fade through digital practices.
Sustainability, from this perspective, is not only about keeping data alive. It is also about circulation, reuse, reinterpretation, care, neglect, and even release. Data may migrate across multiple digital Umwelts—archives, platforms, communities, disciplines—changing their meanings and functions along the way. At the same time, some data may lose relevance, remain unused, or demand ethical reconsideration regarding their continued existence.
This conference provides a forum to explore how digital humanities can engage with these questions across various theoretical, methodological, practical, ethical, and regional perspectives. Contributions may be theoretical, methodological, empirical, technical, practice-based, reflective, ethical, or regional, and interdisciplinary approaches are especially encouraged.
Topics of Interest (include, but are not limited to) We welcome papers, panels, posters, and other formats addressing topics such as: – Digital sustainability through adaptation, transformation, and reuse – Data lifecycles, circulation, reuse, and transformation – Umwelt, context, and situated meaning in digital humanities – AI and Machine Learning as distinct digital Umwelts – Whose data are preserved, and whose are marginalized or lost – Community-based archives and local knowledge infrastructures – Indigenous, minority, and endangered-language data practices – Ethical questions of care, ownership, access, and responsibility – Data governance, power, and institutional environments – Infrastructure, platforms, and their implicit “worlds” – Forgetting, obsolescence, deletion, and non-use as design choices – Cross-cultural and cross-regional perspectives on digital data – Environmental, social, and cultural sustainability in DH – Rethinking archives, databases, and collections as living worlds
However, it’s important to clarify that the conference’s scope extends beyond the theme. Topics of interest span a wide range, including AI, data mining, information design and modeling, software studies, and humanities research enabled through the digital medium; computer-based research and computer applications in literary, linguistic, cultural, and historical studies, including electronic literature, public humanities; and interdisciplinary aspects of modern scholarship. Examples might include text analysis, corpora, corpus linguistics, language processing, language learning, and endangered languages; the digital arts, architecture, music, film, theater, new media and related areas; the creation and curation of humanities digital resources; and the role of Digital Humanities in academic curricula. The range of topics covered by Digital Humanities can also be consulted in the journal Digital Scholarship in the Humanities (http://dsh.oxfordjournals.org/), Oxford University Press.
Abstracts submitted should be of 500-1000 words in length in English, including the title and authors’ names.
Please submit abstracts via the ConfTool website below, which is not yet open, by 11:59 PM, 15 Apr, 2026 (HAST).
Submissions for presentation papers will be accepted starting around February at the same URL above: Presenters will be notified of acceptance on May 30, 2026.
The annual open DH Awards 2025 is now accepting nominations!
Please nominate any Digital Humanities resource in any language that you feel deserves to win in any of this year’s categories. The open DH Awards are openly nominated by the community and openly voted for by the public as a DH awareness activity. Although the working language of DH Awards is English, nominations may be for any resource in any language. Awards are not specific to geography, language, conference, organization or field of humanities. There are no financial prizes, just the honour of having won and an icon for your website.
Nominations will be open until 2026-02-27. Voting will take place shortly after. You only need to nominate something once! Self-nominations or nominating other’s resources are both fine!
Please note that the nominations must be for projects/resources/sites that were launched/finished/update/created in 2025.
The categories for the open DH Awards 2025 are:
BEST USE OF DH FOR FUN (e.g. something that uses DH for purposes of enjoyment)
BEST DH DATA VISUALIZATION (e.g. a visualization of DH data)
BEST EXPLORATION OF DH FAILURE/LIMITATIONS (e.g. a report on why a project failed, or problems with DH)
BEST DH SHORT PUBLICATION (e.g. blog, article, video, on DH)
BEST DH TOOL OR SUITE OF TOOLS (e.g. something used to build a DH resource)
BEST DH DATASET OR MODEL (e.g. a corpus of texts, table of data, model, or similar used for DH research)
BEST DH TRAINING MATERIALS (e.g. talks, slides, exercises, videos or how-to guides in any form)
BEST DH RESOURCE (e.g. digital scholarly edition, archive, or repository for DH)
To nominate something for the DH Awards 2025 use the form at:
김현, 박은희, 서소리 교수 | 매주 월요일 10:00-12:30 | 덕성여자대학교 평생교육원 [서울 종로구 삼일대로 460 (운니동)]
강좌 내용
본 강의는 AI 고전번역학 연속 교과 시리즈의 첫 관문으로, 인공지능 시대에 필요한 새로운 한문 해석 방법론을 제시합니다. 디지털 인문학과 한문학 교수의 공동지도로 운영되며, 학습자는 AI 운용 기술(생성형 AI, XML, DB)과 한문학 기초 소양을 융합적으로 습득합니다. AI가 생성한 해석을 비판적으로 검토하고 데이터로 구조화하는 실습을 통해, 단순 번역을 넘어 ‘AI를 가르치는 고전 전문가’로서의 역량을 다집니다. ※ 핵심 교과 내용: AI 협업 한문 독해, 데이터 구조화 기술, 한문 문형·표점 검증 훈련
대상
고전 한문 번역가, 인문계 교수, 고전 한문 독해에 대해 배우고자 하는 학생, 연구자, 일반인
초급(기초) 한문 교육 이수에 준하는 한자·한문 기본 소양 보유자 (개인 노트북 컴퓨터를 지참, 실습참여 필수)
김영, 강혜원 교수 | 매주 금요일 10:00-12:30 | 덕성여자대학교 평생교육원 [서울 종로구 삼일대로 460 (운니동)]
강좌 내용
본 강의는 동양 미술사와 AI 기술을 결합하여 서화에 담긴 제발(題跋)을 정밀하게 해석하고 데이터화하는 실무 중심 융합 교과입니다. 미술사 및 디지털 인문학 교수의 공동지도로 운영되며, 학습자는 AI 협업 도구(인공지능 고전 한문 해석 도우미, CCTI)를 활용해 원문을 해석하고 이를 XML DB와 Wiki 기반 아카이브로 구축합니다. AI의 제안을 학술적으로 검토·보완하는 과정을 통해, 고전 지식 AI 생태계 구축에 기여하는 역량을 확보하고, 차세대 인문-기술 융합 연구자의 자격을 확립할 것입니다. ※ 핵심 교과 내용: AI 협업 서화 제발 해석 실습, 데이터 구조 설계, AI 학습용 아카이브 편찬, Wiki를 통한 연구 성과 공유
대상
고전 한문 번역가, 동양미술사 전공 학생, 고전 한문 독해에 대해 배우고자 하는 학생, 연구자, 일반인
학과 내용(동양화와 한문)에 관심이 있고, AI 활용 학습에 적극적인 의지가 있는 사람 (개인 노트북 컴퓨터를 지참, 실습참여 필수)
수강료: 무료, 실습비 10만원 별도 (AI 고전번역학 입문과 함께 수강하는 사람은 본 과목의 실습비 면제)
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