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普通视图

Received before yesterday
✇2 - DHQ（Digital Humanities Quarterly）

Infrastructures of Listening: The ManoWhisper Podcast Analysis Pipeline

作者Nick Ruest, York University, Digital Scholarship Infrastructure · Brianna I. Wiens, University of Waterloo, English Language & Literature · Karmvir K. Padda, University of Waterloo, Sociology and Legal Studies · Shana MacDonald, University of Waterloo, Communication Arts
2026年4月18日 08:00
ManoWhisper is an end-to-end research pipeline for collecting, transcribing, and analyzing hateful and misogynistic podcast content, built to support peer-reviewed and policy-facing research on gender-based extremism. This paper argues the tool reframes harmful media as a site of feminist methodological inquiry, with implications for understanding how such content spreads across platforms and into AI training data
✇2 - DHQ（Digital Humanities Quarterly）

Making Sense of the Emergence of Manslaughter in British Criminal Justice

作者Tim Hitchcock, Professor Emeritus of Digital History, University of Sussex · William J. Turkel, Professor of History, The University of Western Ontario
2026年2月7日 08:00
Manslaughter emerged as a new type of crime heard at the Old Bailey in London in the first half of the nineteenth century. This article describes the methodologies used by Tim Hitchcock and William J Turkel to explore this phenomenon.
✇2 - DHQ（Digital Humanities Quarterly）

Image Reuse in Eighteenth-Century Book History: Large-Scale Data-Driven Study of Headpiece Ornament Variants

作者Ruilin Wang, University of Helsinki · Lidia Pivovatova, University of Helsinki · Yann Ryan, Digital Humanities and postdoctoral researcher, Leiden University · Enes Yılandiloğlu, University of Helsinki · Mikko Tolonen, University of Helsinki
2026年2月21日 08:00
Large-scale computer vision reveals that decorative headpiece ornaments in eighteenth-century books circulated far more widely — and systematically — than previously assumed. By tracking image variants across ECCO, the article challenges printer-centric accounts of book production and highlights the overlooked role of publishers and transnational networks.
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