普通视图

Received before yesterday3 - 欧洲数字人文学会(EADH)

Big news for our community: meet our new Chair

2026年4月2日 20:07
2 Apr 2026 - 00:00

Big news for our community: meet our new Chair

We are delighted to welcome Chiara Zuanni as the new Chair of EADH!

Chiara’s work sits right where things get exciting: at the crossroads of digital humanities and museum studies. From museum data practices to 3D digitisation, from born-digital curation to new ways of mediating cultural heritage through digital media, her research doesn’t just follow the field, it actively shapes it.

Her journey reflects that same curiosity and drive. With a background in Classics and Archaeology (University of Bologna) and a PhD in Museology (University of Manchester), Chiara has worked across institutions including the University of Liverpool and the Victoria and Albert Museum in London. Since moving to Austria in 2018, she has been a key figure at the University of Graz, where she advanced from tenure-track assistant professor to associate professor after completing her Habilitation in Digital Humanities in 2024.

Since September 2025, she holds the Professorship in Digital Cultures and Digital Humanities at the University of Krems.

Chiara brings not only deep expertise, but also a thoughtful, forward-looking perspective on how digital practices are transforming the ways we understand, curate, and engage with cultural heritage.

We couldn’t be more excited to see where her leadership will take EADH.

 

DH2026 Registration: Discount Codes for EADH Members

2026年3月25日 13:27
25 Mar 2026 - 00:00

DH2026 Registration: Discount Codes for EADH Members

Registration for the DH2026 conference in Daejeon will be opening soon, and we are pleased to share that EADH members can benefit from reduced registration fees.

To access the discounted rates, simply enter one of the following codes during registration in Conftool:

  • EADH-member
  • EADH-student

We warmly encourage all EADH members to take advantage of this opportunity and join the DH2026 conference.

Further details about the event will be shared as they become available.

EADH Small Grants: Meet the 2025 Awardees

2026年2月11日 00:32
10 Feb 2026 - 00:00

EADH Small Grants: Meet the 2025 Awardees

The European Association for Digital Humanities is pleased to announce the recipients of the EADH Small Grants. The selected projects reflect the breadth and vitality of current digital humanities research and practice, spanning areas such as digital philology, archives and preservation, community-based documentation, sustainability, and the critical study of machine translation. We are happy to present them here.

Giuseppe Arena – The Capuana Linked Lexicon

Giuseppe Arena holds a Master's degree in Digital Humanities. He is currently a research fellow for the Hyperedition of Luigi Pirandello's works at the University of Catania, collaborating with CINUM and CNR-ISTC. He is a member of AIUCD and Wikimedia Italia. His research interests focus on digital philology, ontologies and electronic literature. 

The Capuana Linked Lexicon project presents the first semantic edition of Luigi Capuana's Spoglio Linguistico, integrating unpublished archival materials. The importance of these private notes lies in their linguistic nature, useful for reconstructing the Verismo debate surrounding the issue of naturalistic writing and in their historical relevance for understanding Capuana's creative laboratory. The main outcome is a scholarly digital edition that integrates lexical entries encoded in TEI-Lex0 with IIIF facsimiles of the original manuscript pages, within the TEI Publisher environment. A central aim of the project is the creation of a dedicated Wikibase instance compliant with OntoLex-LEMON, designed to store lexical entries, forms, meanings, textual attestations, and manuscript references. This knowledge graph will be fully queryable via SPARQL and interoperable with Wikidata, enabling advanced linguistic and philological research on linked datasets, according to FAIR principles. In addition to the edition itself, the project will produce a reusable and documented workflow from TEI-Lex0 to OntoLex-LEMON and Wikibase, in order to create a replicable model for future semantic editions of manuscript-based lexical materials. The results of the project will be disseminated through at least one peer-reviewed article and a seminar on the interoperability of Wikimedia resources in digital philology.

 

Jennifer Bajorek, Raphaël Grisey, Aïssatou Mbodj-Pouye & Soso Soumaré – Digitization Workshop: Creating Culturally Relevant Documentation for a Visual Archive of an African Immigrant Community in France

The project team is a collective engaged in collaborative research and archival practice around the archive of Bouba Touré. It brings together Dr. Jennifer Bajorek, a scholar of African and militant photographic histories; Dr. Raphaël Grisey, a Berlin-based artist and researcher and long-time collaborator of Touré; Dr. Aïssatou Mbodj-Pouye, an anthropologist working on migration and popular culture in West Africa; and Soso Soumaré, director of a social services organisation supporting migrants in the Paris region and a member of Bouba Touré’s family.  

The Digitization Workshop: Creating Culturally Relevant Documentation for a Visual Archive of an African Immigrant Community in France will design and run a two-day workshop bringing diverse stakeholders (community members, archivists, and scholars) into conversation about the creation of accurate, culturally appropriate and informed, and accessible documentation for the digitized archive of Bouba Touré. Touré was a Franco-Malian photographer, filmmaker, writer, and militant labor and immigrants’ rights activist (ca. 1948-2021) who bequeathed to us a singular and extensive archive of photographs, film, and video work that bears witness to the lives of African immigrant workers in the Paris region as well as to rural life in villages along the Senegal River. The project will develop culturally relevant approaches to documentation for Touré’s archive in tandem with its digitization, which is now being undertaken by the Archives départementales de la Seine-Saint-Denis, in Bobigny, France, where Touré’s archive is now housed. Questions of language (linguistic variation, orthography, placenames), translation, approaches to identifying photographic subjects, modes of access, and the treatment of potentially sensitive themes will all be considered, as will culturally informed approaches to IP management and various approaches (practical and methodological) to collecting oral histories and testimonies and incorporating them into documentation. Workshop findings will be disseminated in the form of a bilingual (in English and French) digital publication. 

 

David Mahoney – Wasteback Machine  

David Mahoney is a PhD candidate at The University of Edinburgh’s Institute for Design Informatics. His principal research interest is reducing the environmental impact of the internet and improving accessibility, aligning technological potential with environmental stewardship. He is the founder of Overbrowsing, an applied research group focused on advancing sustainable web practices. 

Wasteback Machine is a JavaScript library for analysing the size, composition, and environmental impact of archived websites, known as mementos. Developed as part of doctoral research at the University of Edinburgh’s Institute for Design Informatics, the project addresses a key limitation in existing web assessment tools, which rely almost exclusively on synchronous, live measurement. Owing to the ephemeral nature of the web, such approaches capture only a website’s current state and fail to account for patterns of growth over time, obscuring the cumulative environmental impact of websites. Wasteback Machine introduces a novel methodological framework that enables robust quantitative analysis of web archives. The system reconstructs mementos with high fidelity by removing archival artefacts, correcting replay-induced modifications, and preserving temporal coherence across embedded resources. This approach allows for accurate retrospective measurement while remaining sensitive to the distinctive ontological status of mementos as reborn digital objects, shaped both by the original web and by the technical and curatorial practices of archiving institutions. Funding from the EADH will support the extension of the library to additional web archives, enhancing temporal coverage and analytical accuracy, and the development of a web application to make Wasteback Machine accessible to researchers, practitioners, and the wider public.

 

Tiziana Pasciuto & Francesco Dragone – ArchiSTART! Hands-on Workshop for Beginners on the Archives’ Preservation

Tiziana Pasciuto is a postdoctoral research fellow in the ERC CoG REDMIX project at the University of Turin. With a background as an archivist and conservation scientist, she earned a PhD in Digital Humanities at the University of Genoa in 2025, focusing on digital archives, semantic ontologies, and cultural heritage preservation. Francesco Dragone is a research fellow in the ERC CoG REDMIX project at the University of Turin, with a background in visual anthropology and ethnographic filmmaking. He works on public engagement, citizen science initiatives, and multimedia storytelling, including podcast production.  

ArchiSTART! is a pilot project aimed at addressing the vulnerability of small, non institutional archives through a standardised, hands-on training model. Building on research conducted within the ERC-funded REDMIX project, the initiative will deliver a 30-hour modular workshop in Italy for cultural associations, volunteers, and private custodians of archives. The workshop combines progressive teaching with practical activities on real archival cases, equipping participants with immediately applicable skills in preservation, basic cataloguing, and digitisation. Key outcomes include the validation of the training model, pilot conservation actions carried out by participants, and the production of open-access teaching materials and multimedia documentation shared via Zenodo. Designed for scalability, ArchiSTART! aims to foster local networks of “memory keepers” and lay the groundwork for future international editions.

 

Aleksandra Rykowska – Stylometric Analysis of Literary Machine Translation  

Aleksandra Rykowska holds an MA in Linguistics and is currently a doctoral candidate at the Jagiellonian University in Kraków. Her doctoral research focuses on the stylometry of literary machine translation, with additional interests in corpus linguistics and verse studies. 

The Stylometric Analysis of Literary Machine Translation project aims to develop a new method for analysing literary machine-translated texts from a stylometric and linguistic perspective. The study will be based on a multilingual corpus of 300 works of modern literature (from the second half of the nineteenth century to the present), translated by both professional human translators and machine translation systems into English, French, Polish, and Lithuanian. The project includes the creation of a parallel corpus of human and machine translations, respecting copyright constraints, and the development of scripts for linguistic analysis. A research visit to Dublin City University and a library visit in Dublin will support access to materials and engagement with state-of-the-art machine translation research. The outcomes will include a shared corpus resource and a scholarly article presenting the results of the study. 

#JobOpportunity - Postdoctoral Position (research associate) (m, f, x) – Digitality of Historical Research (Mainz)

2026年1月20日 23:45
20 Jan 2026 - 00:00

#JobOpportunity - Postdoctoral Position (research associate) (m, f, x) – Digitality of Historical Research (Mainz)

The Leibniz Institute of European History (IEG) in Mainz invites applications for a full-time Postdoctoral Position (Research Associate) (m/f/x) in Digitality of Historical Research, within its DH Lab.

  • Starting date: 1 July 2026

  • Contract: Fixed-term, up to five years

  • Salary: TV-L EG 13 (Germany)

  • Location: Mainz, Germany

  • Application deadline: 9 March 2026

The position is open to candidates with a PhD in a relevant field and a strong interest in digital methods in historical research, within an international and interdisciplinary research environment.

Full job advertisement and application details: https://www.ieg-mainz.de/en/job/postdoctoral-position-research-associate-m-f-x-digitality-of-historical-research/

#CfP: EADH Conference 2026 – “Linking Europe: Digital Humanities Without Borders”

2025年12月5日 03:32

#CfP: EADH Conference 2026 – “Linking Europe: Digital Humanities Without Borders”

The EADH 2026 conference will take place from 15 to 19 September 2026 at Jagiellonian University in Kraków (Poland), and is co-organized by the Digital Humanities Lab of the Jagiellonian University, the Institute of Polish Language of the Polish Academy of Sciences,  and the University of Wrocław.

Under the theme “Linking Europe: Digital Humanities Without Borders”, the event invites the international Digital Humanities community to reflect on technological transformations, including artificial intelligence, multilingual infrastructures, sustainability, and responsible data governance.

Submissions are open for posters, short papers, long papers, and workshops.
The thematic areas include: data and methods, AI and ethics, infrastructure and open science, cultural heritage and diversity, communities and futures of DH.

All conference venues are fully accessible, and online participation is available for presenters.

The deadline for all types of submissions is 23:59 AoE on Friday, 27 February 2026.

Further information and the submission link are available here.

 

 

#CfP: Comics and Machines - Royal Institute of Technology in Stockholm & Uppsala University, Sweden (22-23 April, 2026)

2025年10月26日 23:55
22 Apr 2026 - 00:00

#CfP: Comics and Machines - Royal Institute of Technology in Stockholm & Uppsala University, Sweden (22-23 April, 2026)

Call for Papers and Talks

Comics and Machines

Royal Institute of Technology in Stockholm & Uppsala University, Sweden

22-23 April, 2026

Steering committee

Jan Baetens, Jaqueline Berndt, Jan von Bonsdorff, Gareth Brookes, Benoît Crucifix, Björn-Olav Dozo, Anna Foka, Isabelle Gribomont, Andre Holzapfel, Per Israelson, Gaëtan Le Coarer, Ilan Manouach, Pedro Moura, Everardo Reyes, Keith Tillford, Ray Whitcher

Today, the field of comics is undergoing a profound transformation marked by a growing heterogeneity of forms, formats, and production processes. From synthetic comics, operational images, data-driven visualization to embodied, non-visual comics, comics are expanding beyond the conceptual and historical frameworks that have traditionally defined it. Existing models in research— grounded in the artisanal craft traditions, narratology, text-image correlation, and human-centered authorship— are struggling to account for this rapidly diversifying landscape. Craft-based approaches might appear resistant or inadequate in the face of new technological practices that recombine production, circulation, and reception through computational logics.The current moment compels a broader redefinition of comics as fundamentally technical objects. The boundaries that once separated comics from technical and operational systems are dissolving. To grasp the full scope of these developments, we must account for comics as sites where technological processes are not external influences but internal engines — where creation is entangled with computation, standardization, and new modes of mediation. As computational processes— from machine learning to synthetic image generation and communication systems powered by computer vision— increasingly shape the creation, distribution, and experience of comics, it is no longer sufficient to understand the medium solely through the lenses of narrative, visual storytelling, or artisanal craft. Recognizing comics as engineered configurations of information, relational diagrams, and experimental knowledge structures is not a speculative gesture; it is a necessary step for understanding the profound transformation underway in the medium’s ontology, practice, and future potential.

Within this expanded computational landscape, comics increasingly function as sites of artistic research— experimental configurations that generate knowledge through making rather than merely representing it. As comics engage with computational systems, they become laboratories for investigating the material conditions of contemporary media production. These research-oriented practices extend beyond traditional academic boundaries. Rather than simply illustrating research findings, comics-as-research deploys their unique capacity for relational thinking— the medium’s inherent ability to orchestrate temporal, spatial, and conceptual relationships — to investigate how technical systems reshape creative labor, audience relations, and the very possibility of narrative meaning. This artistic research dimension positions comics not as objects of study but as active investigative tools, capable of generating insights about computational culture that emerge specifically through the medium’s hybrid technical-aesthetic operations.

We are pleased to announce a two-day international conference on April 22-23, 2026 at the Royal Institute of Technology in Stockholm and at Uppsala University dedicated to examining the rapidly evolving landscape of comics. Rather than framing this transformation solely as a rupture, the conference seeks to situate it within a longer history of computational rationality— a lineage in which the medium has continuously negotiated the demands of efficiency, scalability, and technical constraint. Our aim is to critically rethink comics not as passive recipients of technological change, but as active computational configurations: media fundamentally entangled with systems of automation, standardization, and information processing.

We welcome submissions addressing the following areas (among others):

  1. Histories of automation and engineering in comics production and distribution
  2. Transformations in formats and workflows driven by technological change
  3. Comics as data: informatization, discretization, and database design
  4. Human-machine collaborations in past, present, and speculative comics practice
  5. Audience and user labor in automated platforms and circulation systems
  6. Data-mining and recirculation techniques in digital comics ecologies
  7. Machine subjectivities: authorship, intention, and expression in machinic agents
  8. Computational archiving practices: scraping, clustering, and vectorization
  9. Speculative and critical practices addressing automation and machinic mediation
  10. Industrial logics in comics: international and comparative perspectives
  11. Resistance to automation: sabotage, slow media, and disobedient design
  12. Operational aesthetics: the visual and affective languages of automation
  13. Speculative histories and alternative futures of comics as technical media
  14. Comics as simulations: diagrams, blueprints, and procedural environments
  15. Comics as artistic research methodologies: practice-based inquiry and knowledge production where comics are used to interrogate emerging technologies and social systems

We invite submissions for the following presentation formats:​

  1. Research Papers (20 minutes + 10 minutes discussion): Traditional academic presentations suitable for theoretical, historical, or analytical work
  2. Practice-Based Presentations (15 minutes + 15 minutes discussion): Presentations by creators, artists, and practitioners demonstrating work and reflecting on process
  3. Interactive Demonstrations (30 minutes): Hands-on sessions showcasing new tools, platforms, or methodologies
  4. Panel Discussions (90 minutes): Collaborative sessions bringing together multiple perspectives on specific themes
  5. Lightning Talks (5 minutes): Brief presentations ideal for work-in-progress, provocations, or preliminary findings
  6. Workshop Sessions (3 hours): Extended collaborative sessions for skill-sharing and collective exploration of tools and methods

Submission instructions:

  1. Abstract length: 250 words
  2. Short bio: 150 words
  3. Deadline for abstracts: 1st December 2025
  4. Notifications of acceptance: 30th December 2025
  5. Send to conference@echochamber.be

Info: https://www.uu.se/en/centre/digital-humanities-and-social-sciences/event...

With production support by [Src Material](https://www.srcmaterial.org/), a non-profit organization supporting artists and researchers at the vanguard of new media.

#CfP: Pittsburgh Graduate Music Conference 2026, "Sonic Power: Speculation, Surveillance, and Strength"

2025年10月6日 19:00

#CfP: Pittsburgh Graduate Music Conference 2026, "Sonic Power: Speculation, Surveillance, and Strength"

The Music Graduate Student Organization at the University of Pittsburgh welcomes proposals for 20 minute paper presentations, performance demonstrations, or work that integrates research and practice for its 2026 conference, “Sonic Power: Speculation, Surveillance, and Strength.” We invite students, researchers, musicians, sound artists, and practitioners from diverse disciplines to consider how sound organizes power and how people reorganize power through sound. Sonic life shapes worlds, whether in the hush of archival erasure, the loudness of protest, or the sorting of listening within media infrastructures. We seek work that brings speculation into the present tense, that treats sound as a way to model futures otherwise, and that interrogates strength as more than endurance, for example as collective capacity, infrastructures of care, and techniques of shelter and repair.

We take sound as method, material, and metaphor, and we aim to deepen the conversation across critical theory, ethnographic research, and creative practice. Contributors might map the infrastructures of listening that underpin surveillance capitalism, examine algorithmic recommendation and moderation as acoustic governance, or analyze sonic policing, border acoustics, and the evidentiary life of audio in courts, platforms, and public inquiries. Mixed methods are welcome, including multi-sited ethnography, media archaeology, critical interface studies, participatory action research, and practice based research that treats making as thinking.

We invite contributors to ponder speculative imagination as a political and methodological resource. How might speculative sound worlds model care, refusal, or repair within extractive listening economies? What forms of resonance enable collective strength when visibility is risky, and what kinds of quiet enable survival without disappearance? How does sonic harm reduction operate in protest, incarceration, and migration? Where do acoustic leakages, glitches, or mishearings open cracks in systems that promise total capture? We welcome work that links concrete cases to conceptual stakes, that moves from situated scenes to larger abstractions of power and perception, and that treats sound not only as an object of study but as a way to think about our present and to rehearse futures otherwise.

Possible topics include:

  • Archives
  • Silences
  • Listening infrastructures
  • Platform economies and politics
  • Protest and resilience
  • Mutual aid and care
  • Labor
  • Pedagogy and institutions of musical knowledge
  • Access and disability
  • Sonic ecologies and the environment
  • Ethics of fieldwork, consent, and community
  • AI voice cloning, authorship, and consent
  • Voice biometrics
  • Codec politics, compression artifacts, and cultural loss
  • Noise ordinances, zoning, and urban governance
  • Acoustic environmental justice
  • Sounded surveillance
  • Diasporic telepresence and distant togetherness
  • Queer timbres and trans futures
  • Sonic branding and behavioral nudges
  • Crowd sounds
  • Audibility and public legibility
  • ASMR economies
  • Vibrotactile media and haptics
  • Data sonification

Formats we welcome

  • Individual papers (20 minutes)
  • Performances and soundworks (up to 15 minutes; lecture recitals with live or pre-recorded materials welcome)
  • Combinations of research and performance are encouraged.

Submission and contact

Individual Papers: Please submit an abstract of no more than 250 words.

Performance demonstrations: Please submit an abstract of no more than 250 words that describes your performance and its relevance to the conference theme. Performance and soundwork proposals should also include a link to a streaming sample of up to three minutes (audio or video) or a score excerpt

Please use the following form to submit your abstract with five keywords and a short bio of no more than 100 words. There will be a space to include other technical needs you may have. For questions, please contact us at MGSOinfo@gmail.com 

Form

Important dates

Submission deadline: December 1, 2025, 11.59 pm EST

Notifications: by January 12, 2026, 11.59 pm EST

Confirmation of participation needed: by January 30, 2026, 11.59 pm EST

Program posted: February 10, 2026 11.59 pm EST

Call for EADH Small Grants (2025-2026)

2025年9月24日 00:06
23 Sep 2025 - 00:00

Call for EADH Small Grants (2025-2026)

We are delighted to announce that the European Association of Digital Humanities (EADH)  is launching a new Small Grants funding round. All current EADH members, including members of our Associate Organizations (Associazione per l’Informatica Umanistica e la Cultura Digitale [AIUCD]; the Czech Association for Digital Humanities [CzADH]; the Association for Digital Humanities in the German Speaking Areas [DHd]; Digital Humanities in the Nordic and Baltic Countries [DHNB]) are invited to apply for financial support for initiatives consistent with the scope of EADH's activities, as stated in the Article 2 of our Constitution:

The objectives of the Association are to promote the advancement of education in the digital humanities, through the development and use of computational methods in research and teaching in the Humanities and related educational disciplines.

The deadline for submitting a proposal is 23:59 (CET) of 16 November 2025 and a maximum of five grants of 1,000 Euros each will be awarded during this call. To submit a proposal, please download and fill the application template in all its parts and send all requested documentation in ONE email to grants@eadh.org. The results will be communicated to the participants and publicly announced by 02 February 2026. Awardees will also have the opportunity to present their work-in-progress at the next EADH conference, should they wish to do so.

 

Who can apply?

The call is open to all practitioners working in all Humanities disciplines who can demonstrate proof of direct membership to EADH or direct membership to one of our Associate Organizations (AIUCD, CzADH, DHd, DHNB). Early-career researchers (from graduate students to postdoctoral researchers up to and including the fifth year after completion of the PhD) are especially encouraged to apply. Applications must come from intended beneficiaries directly: it is not possible to redistribute the grants (for example in the form of bursary schemes) to other recipients under the terms of this call. The application must have a single lead applicant (even if they are representing a team) and that person must be an EADH member (or relevant AO member, see below) at the time of sending in the application (by 23.59 CET on 16 November 2025). Proof of membership varies across our AOs, but usually consists of a membership number provided by the relevant organization and/or proof of bank transfer with the date when the membership fee was paid and the name of the member. EADH members can be the lead applicant of only one application per funding round, and can be included  as team members in a maximum of two applications per funding round.

 

How can I become a direct member of EADH or the Associate Organizations?

  • Become a direct member of EADH

  • Become a member of the Italian DH Associate Organization AIUCD

  • Become a member of the Czech DH Associate Organization CzADH

  • Become a member of the German-speaking DH Associate Organization DHd

  • Become a member of the DH Nordic & Baltic Associate Organization DHNB

 

What are EADH Small Grants for

EADH Small Grants might cover:

  • organization of a research-related event such as a seminar or workshop;

  • travel expenses to work collaboratively;

  • travel expenses  to visit a gallery/library/archive/museum to work with collections;

  • research time for a new or ongoing project;

  • purchase of equipment/software license for a specific project.

 

(See below for some examples of projects that we funded during the last round of Small Grants.)

 

What are EADH Small Grants not for

EADH Small Grants cannot cover:

  • hiring third parties (such as developers, consultants, digitisation firms);

  • compensation for crowdsourcing projects or other volunteer contributions;

 

How to apply?

Please submit:

  • An application template presenting your proposal (1,000 to 1,500 words excluding bibliography, keywords and data management plan). If the proposal is for a group project, please list all names of the associated group. The template must be complete in all its sections. Sections include  state of the art of the appropriate field, methodology, aims and objectives of the project, a data management plan and a detailed timeline (please note that the goals should be achieved within one year from the public announcement on 2 February 2026). 

  • An itemized budget breakdown, for up to 1000 € per grant.

  • A CV from the person applying for the grant evidencing experience, skills, and knowledge relevant to the field of the proposed project. The CV should not exceed 2 pages.

  • An AI statement, declaring if (and to what extent) you have made any use of AI tools in the preparation of your application. Please list the tools used and their purpose.

  • (Only if your project deals with personal data) A GDPR statement explaining how personal information will be handled. You should include references to any institutional requirements that must be met, such as university archiving and/or ethics officers who must be consulted directly, or relevant national/disciplinary ethical guidelines (e.g. the European Code of Conduct for Research Integrity).

  • When submitting your proposal to grants@eadh.org, please use the email subject line “EADH SMALL GRANTS 2025 - [YOUR NAME].” If there is more than one applicant, please only use the lead applicant’s name in the subject line.

 

Which are the evaluation criteria?

Each application will be reviewed and evaluated by at least two EADH Executive Committee members; the evaluators may also request the pro veritate opinion of an external expert. 

 

Proposals will be evaluated based on the following criteria:

  • Completeness of application (Please note that due to the expected volume of applications, incomplete applications and/or those that do not provide proof of EADH/AO membership will be immediately rejected) 

  • Scientific soundness of application (methodology, clarity, originality, feasibility in a one year period);

  • Applicant's CV (competence, previous experience in the field according to career stage);

  • Career stage of the applicant (note that priority will be given to early-career members);

  • Access of the applicant to other funding (e.g., working as part of a large funded project or not. Priority will be given to applicants who have no access to other sources of funding);

  • Sustainability of the project (if for example the funding request involves working on a digital project/tool/infrastructure);

  • Benefit for the wider EADH community (e.g., reusability and openness of the outputs, and data compliance with FAIR or CARE guidelines, where relevant).

 

What happens if you obtain a grant?

EADH Small Grants awardees will  sign an agreement with EADH, wherein they commit to accomplishing the goals outlined in their proposal within one year from the public announcement of the EADH Small Grant Scheme results. Grant holders will also agree to submit a report at the end of this one year period. The report (1,000 to 1,500 words) should address the goals listed in the original proposal as well as present the scientific outcomes. If the grant has been awarded to support an event or purchase equipment/software, original receipts should be attached and itemized. The grant recipients’ reports will be published on the EADH website. EADH support must be acknowledged on scientific products co-financed through this scheme, in an Acknowledgements section of publications and/or by using the EADH logo (this includes slide presentations, posters, and any marketing materials used to promote an event/project) In turn, EADH commits to paying the grant after the report and receipts have been submitted. EADH Small Grant recipients will not be able to participate in future calls for three years. 

 

What have EADH Small Grants funded in the past?

Some projects that were funded during the last round (2020) include:

  1. Soviet Yiddish press digitization start-up project: (Lead Applicant: Ilia Uchitel)
    The project aimed to collect, unify, and build a database of the Soviet Yiddish Periodicals (SYP) held in four major libraries in Russia and Ukraine, as well as to develop an online application visualizing the collected data. The application is publicly available at https://parasolcorpus.org/syp/.
    EADH Small Grant funded the development of the web application, digitization of the paper library cards costs as well as a 4 day field trip to Kyiv.

  2. A digital exploration of spatial movements in Amsterdam at Premodern Times (Lead Applicant: Gamze Saygi).
    Saygi hypothesized everyday mobility in 18th century Amsterdam through space-time mapping. She discovered premodern commuting patterns in the city, through combining methods of automatic text extraction, geocoding and mapping. Interactive visualisation can be accessed at: https://www.freedomofthestreets.org/visualisation/mobility
    EADH Small Grant funded the applicant’s research time.

  3. Romans 1 by 1. Augusta Traiana et territorium (Lead applicant: Annamária-Izabella Pázsint)
    The project aimed to expand the open access database Romans 1 by 1 through the ingestion of the epigraphical data corresponding to Augusta Traiana and its territory, thus contributing to promoting the use of computational methods in the study and teaching of ancient history.
    EADH Small Grant funded the applicant’s research time to work on an ongoing project

 

If you have any questions, please feel free to get in touch with us by emailing grants@eadh.or

#CfP: Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom

2025年7月15日 00:38
14 Jul 2025 - 00:00

#CfP: Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom

This conference seeks to explore the cultural and intellectual roots of technological optimism in the 1970s and 1980s, decades that tend to be better known for their pervasive undercurrents of pessimism about threats to the natural environment and human well-being. Nonetheless, significant technological advances continued, and transformative visions of progress gained traction, paving the way for the techno-utopianism of the 1990s. We aim to examine how the popular culture and creative expression of the era captured and amplified positive beliefs in technology’s power to foster innovation, creativity, prosperity and freedom. We invite scholars, historians, technologists and cultural critics to submit papers addressing the historical and cultural dimensions of technological optimism during this pivotal era.

Debates surrounding technology’s place in our lives are highly polarised. Its critics highlight the dangers and crises technology brings: climate change, pervasive surveillance, ever-deadlier weapons, behavioural manipulation and an alleged dehumanisation in work and private life. At the same time, there are many vehement assertions of technology’s transformative and liberating potential, whether as a solution to environmental crisis, a way to extend human possibility, a vehicle for individual expression or simply as an engine of progress generally.

While technology itself is constantly changing, the topics that it raises — and even the language in which it is debated — are far from new. Through this conference, we aim to explore the historical roots of present discussions, focusing on the 1970s and 1980s and issues such as:

* Why did optimistic beliefs in technology thrive despite the challenges of the time?

* What strategies did techno-optimists use to counter the arguments of technological pessimism?

* How did technological optimism build upon previous developments and/or shape the development of subsequent innovations?

We encourage papers that situate technological optimism within this broader historial context, connecting the period’s cultural, political, and social currents to its technological innovations.

We also hope to account for the complex geographic landscape of technological optimism and thus welcome contributions that address, for example, visions of technological optimism behind the Iron Curtain or those to be found beyond Europe and North America in the period in question.

More detailed information about the conference’s themes, aims and topics is available at its website: [https://ieg-dhr.github.io/techno_optimism/]( https://ieg-dhr.github.io/techno_optimism/)

Please submit an abstract by **11.09.2025** of no more than 500 words (references excluded) to the organisers at digital@ieg-mainz.de for a 20-minute presentation (plus discussion), clearly outlining your proposed paper’s focus, methodology, and relevance to the conference theme. Include your name, institutional affiliation, and contact information with your abstract.

PhD scholarships in Global Digital Humanities

2025年7月15日 00:22
14 Jul 2025 - 00:00

PhD scholarships in Global Digital Humanities

The School of Modern Languages at the University of St Andrews invites applications for a fully funded PhD scholarship in Global Digital Humanities, a dynamic and rapidly evolving field at the cutting edge of interdisciplinary research.

This award supports innovative doctoral research that either employs or critically examines digital methodologies within the context of Modern Languages. You will join an intellectually vibrant and internationally connected research environment that draws on expertise from eight language areas, Arabic, Chinese, French, German, Italian, Persian, Russian, and Spanish, and collaborates with the School of Computer Science. This is your opportunity to gain advanced technical and analytical skills while contributing original research to the evolving landscape of digital scholarship in the humanities.

They welcome proposals across a wide range of topics, including, but not limited to:

* Digital Pedagogy 

* Digital Publishing and Encoding

* Digital Preservation and Archival Practice 

* Digital Storytelling 

* Languages and Technology

* Memory Studies in the Digital Age

* Quantitative Literary Analysis 

* Transmediation through Gaming

Find the full details and application information at https://www.st-andrews.ac.uk/study/fees-and-funding/scholarships/scholarships-catalogue-search/?query=%22Digital%20Humanities%22, which is updated regularly, and feel free to contact Dr Orhan Elmaz (oe2@st-andrews.ac.uk) with any questions.

#CfP Emerging Digital Methodologies Conference, 18 November 2025 (University of Oxford)

2025年7月7日 18:41
7 Jul 2025 - 00:00

#CfP Emerging Digital Methodologies Conference, 18 November 2025 (University of Oxford)

On 18th November 2025, the Cheng Kar Shun Digital Hub events programme will host the Emerging Digital Methodologies Conference. This in-person conference is now inviting presenters from any discipline to submit papers on new applications of digital methods; the use case and problems of any digital method; and how digital methodologies are changing their field.

Since the turn of the millennium digital and computational methodologies have become increasingly prolific at the cutting edge of language and humanities research. Utilising digital techniques from other disciplines has allowed historically qualitative fields to rethink key questions, bring new understandings to foundational sources, increase information accessibility, and lead to previously unexplored cross-disciplinary research. This conference invites graduate students and early career researchers applying new digital methodologies to the humanities and related fields to share that research. We are particularly interested in hearing about research involving digital methods being used to rethink established fields, new applications for conventional digital methods, and how digital methodologies are being translated in the cross-disciplinary space.

Presenters from any discipline are invited to submit papers on:

  • New applications of digital methods

  • The use case and problems of any digital method

  • How digital methodologies are changing their field

The deadline for submitting proposals: 12 August 2025

More info here.

#JobOpportunities at the Chair of Digital History – Humboldt University, Berlin

2025年6月7日 18:22

#JobOpportunities at the Chair of Digital History – Humboldt University, Berlin

The Chair of Digital History at Humboldt-Universität zu Berlin is looking for new colleagues. A total of 5 positions are to be filled over the summer in different projects, each with a different focus and scope. Ultimately, all of the projects revolve around the question of how digital methods can be used effectively for historical studies – for the community, in teaching, and implemented in specific historical research projects.

Three of the positions have already been published, two more will follow shortly!

Summary of the positions

1. HERALDIC (65%, 3 years)​

A Franco-German research project on the digital analysis of heraldic communication in the Middle Ages. The position will focus on the application of digital methods in the study of visual communication and identity constructions in the high and late Middle Ages. You can find the official job posting (in German) here: DR/111/25.

2. TEXTPLORING (65%, 2 years)​

The DFG project “TextPloring” is concerned with the further expansion of the text repository LAUDATIO. The (medieval/early modern) chronicles of German cities are to serve as a use case for indexing and exploration within the framework of the position, which also leaves sufficient space for independent research in the field of digital history. You can find the official job posting (in German) here: DR/112/25.

3. QUADRIGA (50%, until Nov. 2026)​

In the BMBF project QUADRIGA Data Competence Center, the position supports scientific networking and community work to teach data competence in the humanities, especially in the DH community. You can find the official job posting (in German) here: DR/113/25

4. HERALDIC RSE position (100%, 3 years)​

Software development, ontology engineering and web technologies in the field of heraldic source cataloging. The position is aimed at people with a strong technical profile and an interest in digital history. Official job posting to be published.

5. Research Assistant at the Chair for Digital History (75%, 4 years)​

Support in research, teaching and organization, especially at the Interdisciplinary Center for Digitality and Digital Methods at Campus Mitte (IZ Digital). Developing an own doctoral project in the field of digital history will be part of the position. Official job posting to be published.

Why work at the Chair for Digital History at HU Berlin?

At the Chair of Digital History, we work at the interface of digital methodology, epistemological reflection and concrete historical research. Our projects are interdisciplinary, networked nationally and internationally in many ways and combine technological development with research in the humanities. A major focus is on the evaluation and further development of various AI methods for the historical sciences. The advertised positions offer a wide range of opportunities for young researchers, software developers and communicators in the DH context - and last but not least, the opportunity to work in a super friendly team!

Contact

If you have any questions or are interested in the vacancies that have not yet been published, please send a message to digitalhistory\@hu-berlin.de. We are also very thankful if you share the job advertisements!

Three Postdoctoral Fellowships in Digital Humanities at the University of Tartu

2025年5月6日 16:21
6 May 2025 - 00:00

Three Postdoctoral Fellowships in Digital Humanities at the University of Tartu

 

Type of position: 3 full-time postdoc positions

Expected starting date: 1 September 2025 

Duration of employment: 54 months (until 28.02.2030) 

Working time: 100% (40 hours per week) 

Application deadline: 2 June 2025 

Apply here: https://ut.ee/en/job-offer/research-fellow-digital-humanities

 

We are happy to announce that the University of Tartu Faculty of Arts and Humanities is launching a call for applications for 3 postdoctoral research fellows in Digital Humanities, at the Center for Digital Text Scholarship (DigiTS), funded by the European Union (see the project description here).

DigiTS is aimed at carrying out cutting-edge, interdisciplinary research using modern digital methods applied to textual data in Humanities and Social Sciences. To this end, an international and interdisciplinary team will be formed at the Faculty of Arts and Humanities at the University of Tartu (UT), including postdocs and doctoral students. This new team of experts will enable key actions establishing UT as a center for research and education in Digital Humanities. Each Research Fellow will mainly conduct research in the field of digital humanities, computational linguistics, computational literary studies, digital history, or related fields (depending on individual competencies), while also having the opportunity to teach and to participate in governance and institutional development.

Applicants must have a PhD in Humanities, Social Sciences, Computer Science or related fields, experience in analysing textual data with digital tools, as well as experience in programming languages, such as Python or R. The research fellows will be employed at the Institute of Estonian and General Linguistics, but their specialisation and focus will depend on the broader context of their research. For further information, see the Center for Digital Humanities website and the job vacancy (opens 1 May). Applications should be submitted online by June 2. Each fellowship will run from the agreed-upon starting date (ideally 1 September 2025) through the end of the DigiTS project in February 2030. The gross salary is 3500€/month.

Please also note that the DigiTS team is looking for one junior research fellow (PhD student) in Digital Humanities to join the team, as well as possible collaboration with other new junior research fellows at our faculty. More information about the PhD job can be found here, and admission requirement are here.

For more information about the positions contact the project leaders Prof. Maciej Eder (maciej.eder@ut.ee) or Prof. Liina Lindström (liina.lindstrom@ut.ee)

Why apply now?

Currently there are multiple innovative projects being conducted in Estonia on closely related topics. This creates an exciting and promising scene for both formal and informal collaboration, especially since many of these projects are carried out at least partly at the University of Tartu, including the Estonian Center of Excellence in AI (EXAI), the ERC Consolidator project Rise and Demise of Industrial Modernity (RiDe), the Language Data Research Infrastructure (KeTa), and Neural text analysis models enhanced with external linguistic resources (description); note that RiDe is also offering PhD and postdoc positions.

Why study or work in Estonia?

Estonia offers Nordic quality of life, a strong academic environment and convenient digitized services—all while maintaining a reasonable cost of living that supports comfortable student life. The University of Tartu, founded in 1632, ranks among the top 1% of the world’s most cited universities and actively fosters sustainability and intersectoral collaboration, having produced numerous successful startups. Estonia itself ranks #1 in startups per capita in Europe. As a member of the EU and NATO, Estonia is internationally minded, and English is widely spoken. Estonia’s digital infrastructure streamlines official procedures, as everything from contracts to taxes can all be handled online in minutes by citizens and residents alike. Tartu is a lively university town known for its cozy atmosphere, vibrant student life, bike and walking friendly spaces, and scenic riverside. It has been named the UNESCO City of Literature, and the European Capital of Culture in 2024. The city is well connected to Europe and the world, but also offers easy access to nature, with nearby vast networks of forest hiking trails, excellent winter sports opportunities, and the charm of four distinct seasons.

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