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Old World 2026 Best Article Competition: “AI and Old World”

2026年9月23日 22:43

Old World 2026 Best Article Competition: “AI and Old World”

Old World: Journal of Ancient Africa and Eurasia has announced its 2026 Best Article Competition for Young Scholars, this year dedicated to the theme “AI and Old World.”

The competition invites innovative research exploring the application of Artificial Intelligence technologies to the study of the ancient and pre-modern world. Submissions should demonstrate how AI, broadly conceived, can contribute to producing new and valuable knowledge in the Humanities.

The competition is open to doctoral researchers and early-career scholars who received their PhD after 1 September 2020.

Researchers from a wide range of disciplines are encouraged to apply, including History, Linguistics, Literature, Philosophy, Religious Studies, Art History, and Archaeology, as well as scholars working across disciplinary boundaries. Eligible research should focus on pre-modern Eurasia and Africa before 1500 CE.

The winning article will receive a USD 1,000 prize, with the winner expected to be announced in early 2027.

Submission deadline: 1 December 2026

All papers submitted by eligible authors before the deadline will automatically be considered by the Editorial Committee.

Old World is a Platinum Open Access journal, with no author fees, published by Brill and established by the Research Centre for History and Culture at Beijing Normal–Hong Kong Baptist University. The journal particularly welcomes innovative approaches to the study of the past, including research making use of digital technologies.

For full submission guidelines and further information, please visit the Old World journal website.

Meet the Candidates: EADH Executive Committee Elections 2026-2029

2026年8月12日 01:06

Meet the Candidates: EADH Executive Committee Elections 2026-2029

We are delighted to introduce the candidates standing for election to the EADH Executive Committee for the 2026–2029 term!

Below, you can read their statements and learn more about their backgrounds, experience, and ideas for contributing to the future of EADH and the wider European Digital Humanities community.

 

Emmanuela Carbé

EADH has a long history, and its strength is the variety of national traditions meeting in one association. Holding that variety together around a shared agenda is delicate work, and I would be honoured to take part.

I am Associate Professor at Ca’ Foscari University of Venice, where I am a member of the Venice Centre for Digital and Public Humanities and teach in its master’s programme. Since 2023 I have been on the AIUCD Executive Board, where I contribute to its workflows, communication and infrastructures. I coordinate ALDiNa, an AIUCD-CLARIN-IT special interest group on born-digital literary archives, among my main research topics, and I belong to the DiPText CLARIN Knowledge Centre.

At a moment when artificial intelligence is redefining how knowledge is produced, by whom, and who keeps it, European DH is not heard enough in decisions about funding and policy. This is where I could be most useful, together with EADH’s ties to its associate organizations, drawing on my experience of managing associations and research infrastructures that have to work together. I would like to see EADH’s membership widen, with a plurality of voices. I am willing to stand for election.

 

Luca Giovannini

My name is Luca Giovannini, and I am a postdoctoral researcher at the University of Potsdam, where I have coordinated the Network for Digital Humanities for the past two years. My research centres on computational drama analysis and cultural evolution, with a particular focus on early modern drama.

My career is marked by a strong pan-European dimension: I studied in three European countries and earned a joint PhD between Germany and Italy. I work routinely across German, Italian, English, French, and Spanish, and I belong to both the German and Italian DH associations. The relaunch of EADH activities strikes me as the ideal moment to engage more actively with the community and help the association grow.

If elected to the Executive Committee, I would particularly like to help early-career scholars find their way into our community, e.g., by facilitating conference participation through travel funding, connecting them to experienced mentors, and giving them space at EADH events to present their work.

I am also committed to strengthening the ties among DH centres across Europe. As our field's most visible research hubs, they should be better connected, sharing expertise, infrastructure, and opportunities that too often remain confined to a single institution.

 

Łukasz Grabowski

I am writing to nominate myself for the EADH Executive Committee for the 2026–2029 term. As a professor of linguistics working at the intersection of corpus linguistics, translation studies, and digital humanities, I have long been committed to promoting open, transparent, and reproducible research. My collaboration with the CLARIN-PL research infrastructure, postgraduate studies in Data Science, and my role as Chair of the Advisory Board of the Czech National Corpus (ČNK) research infrastructure, among others, have further strengthened my interest in research data management and sustainable development of digital research infrastructures.

If elected, I would particularly like to contribute to EADH's activities related to research data management. I believe that the Digital Humanities community can play a leading role in developing and promoting best practices for the creation, documentation, sharing, interoperability, and long-term preservation of research data in line with the FAIR principles and broader Open Science initiatives. I am also keen to contribute to the development of standards and good practices for the responsible use of large language models (LLMs) in humanities research, particularly in corpus linguistics, with a strong emphasis on transparency, reproducibility, and research integrity.

 

Patrick Helling

I have been working as a data manager and coordinator at the Data Center for the Humanities (DCH), a domain-specific research data management (RDM) institution for the Humanities, since 2017. As a candidate for the EADH Executive Board, I would like to strengthen RDM within the European Digital Humanities community. Research data extends beyond institutional and national boundaries, and I am convinced that the EADH can play an important role in fostering collaboration on domain-specific strategies and best practices to ensure the long-term findability, accessibility, interoperability and reusability of DH research data and results. This includes developing standards in the context of EADH activities, such as improving the management of EADH conference outputs, and supporting the development of international RDM practices tailored to the needs of the field. As a long-time Data Steward for the association „Digital Humanities im deutschsprachigen Raum“, an active member of several consortia of the National Research Data Infrastructure (NFDI) in Germany, and coordinator of multiple national RDM working groups and networks, I aim to contribute my expertise to the EADH community and work together with the association and its members to advance research data management in a sustainable and demand-oriented manner across European Digital Humanities.

 

Eetu Mäkelä

I (https://iki.fi/eetu.makela) am a professor of digital humanities at the University of Helsinki, the technical director of the DARIAH-FI research infrastructure, the director of the Helsinki Liberal Arts and Sciences Bachelor’s Programme, and have served as the vice-chair/chair of Digital Humanities in the Nordic and Baltic Countries since 2022. Thus, I have extensive experience in interdisciplinary collaboration across research, infrastructure, teaching, and community building, as well as in bridging disparate interests, cultures, and administrative structures in ways that benefit all. Now, I’d like to contribute this experience to the renewal of EADH and digital humanities even more broadly.

For example, I’m particularly happy about how DHNB has managed to develop our conference into one that welcomes and benefits equally participants from all of humanities, computational and GLAM backgrounds, and would like to contribute that experience also to the EADH and international levels. Further, at the European level, I think there is still much more to be gained from sharing best practices between regional associations, as well as from advising aspirants in new regions when forming new ones to enrich us all.

 

Christopher Nunn

My name is Christopher Nunn, and I am a postdoctoral researcher in Church History at Heidelberg University and an associate member of its Interdisciplinary Center for Scien-tific Computing (IWR). Alongside my research, I have many years of experience in university administration and committee work.

My engagement with Digital Humanities combines interdisciplinary research, community building and supporting early-career scholars. I co-founded the Interdisciplinary Forum for Digital Textual Studies (InFoDiTex) and co-lead TheoLab, a network at the intersection of theology and DH. Through TheoLab, I edited two multilingual (German and English) volumes of the Compendium Computational Theology. I was also part of the DARIAH OpenMethods editorial team, co-edited the Melusina volume “From Global to Local. Digi-tale Methoden in den Geisteswissenschaften im deutschsprachigen Raum. Ein Tripty-chon”, and participated in DHd conferences as both contributor and reviewer since 2013.

I currently serve on the EADH Programme Committee and, together with David M. Berry, am preparing the volume “Reshaping the Digital Humanities: Disciplinary Transfor-mations in an Age of Artificial Intelligence”. If elected, I would like to help strengthen EADH as an open and inclusive forum for debating and shaping the scope, intellectual profile, and future direction of DH.

 

Marija Đokić Petrović

I am pleased to stand for election to the EADH Executive Committee for the 2026-2029 term.

I hold a Ph.D. in Computer Science (University of Kragujevac, Serbia, 2020), specializing in Semantic Web and Natural Language Processing. My research interests lie in Computational Humanities, particularly in applying Natural Language Processing, Large Language Models and Semantic Web technologies to historical and low-resource language corpora. A central focus of my work is improving the digital visibility and accessibility of the cultural heritage of Southeastern Europe.

Currently, I am an Assistant Professor at the School of Computing, Union University in Belgrade, a University Lecturer at FH Joanneum, University of Applied Sciences in Graz, and a contractor at the Austrian Centre for Digital Humanities, Austrian Academy of Sciences.

If elected, I would promote the cultural heritage of Southeastern Europe within EADH, support collaboration between research institutions across Europe, and advocate for increased funding from the European Commission. I am ready to contribute actively and help strengthen EADH as a more connected and influential voice within the European research and cultural heritage landscape.

 

Artjoms Šeļa

This letter expresses my willingness to stand for election for the role of EADH Executive Committee member. I am Artjoms Šeļa, a researcher in computational literary studies and computational poetics at the Institute of Czech Literature, Czech Academy of Sciences.

My own path through DH (a PhD in Tartu, a postdoc in Kraków, no single home in national or regional organization) showed me how much a pan-European organisation matters for people whose work and career crosses borders and slips through the cracks of national associations. European networks and communities have been that connective tissue for me, and I want to help sustain it for others, especially underserved and multilingual communities in the field.

As curator of PoeTree, a multilingual poetry corpora collection, I want to push EADH’s multilingual priorities further, building infrastructure and visibility for comparative work. I currently chair the Steering Committee of European Summer University in Digital Humanities, and would bring that experience to the Committee, continuing to strengthen the existing ties between the institutions that have shaped transnational DH communities in Europe.

I’d be glad to bring this cross-regional perspective to the Executive Committee.

 

We are grateful to all our candidates for their willingness to contribute their time, experience, and ideas to EADH.

We encourage all EADH members to take part in the election and help shape the next chapter of our community.

Best of luck to all our candidates!

Call for Nominations to EADH Executive Committee

2026年7月10日 23:05

Call for Nominations to EADH Executive Committee

The nomination period for EADH Elections is officially open. We are currently seeking four (4) new members to join our Executive Committee. This is an exciting opportunity to actively contribute to the development of a newly relaunched EADH from 2026-2029!

When does the nomination and election period open and close?

The nomination period opens on 10 July 2026 and closes on 7 August 2026. The Elections will be held from 12 August to 9 September 2026. Elected EADH Executive Committee Members will be announced when the election period ends, and formally inducted in September 2026 during the General Meeting of EADH Members at the EADH Conference in Krakow, Poland. More information about the conference can be found here: https://eadh2026.confer.uj.edu.pl/ 

What does an EADH Executive Committee Member do?

Members of the Executive Committee regularly support EADH by acting in a number of roles, including by serving on the ADHO Constituent Organization Board and the yearly Programme Committee for the ADHO conference, by lobbying the European Commission for more funding through representation in the European Alliance of Social Science and Humanities (EASSH) organization, etc. We also have members who take on the responsibility for distributing bursaries and other funded awards to members of our community. Any member who wants to take action on their own initiative relevant to their interests and the goal of EADH is welcome to propose new lines of action. The work of EADH is supported by infrastructure run and maintained by the EADH exec, and is informed by a series of close relationships with our Associate Organizations (AIUCD [Associazone Informatica Umanistica e Cultura Digitale], CzADH [Czech Association for Digital Humanities], DHd [Association for Digital Humanities in the German Speaking Countries], and DHNB [Digital Humanities in the Nordic and Baltic Countries]). Executive Committee Members shape and execute this work on behalf of the organization. 

What is the time commitment for this position?

We expect EADH Executive Committee Members to take an active part in our organization by serving in a variety of specific roles, which can include (but are not limited to) our Small Grants Committee, Outreach Committee, Infrastructure Committee, Governance Committee, and Elections Committee. These committees are cyclical, meaning that at certain times they become more active and at other times of the year they can be dormant. Normally, the Executive Committee holds monthly online all-hands 1.5 hour meetings to update each other on progress within specific committees, and we also have designated, smaller group meetings to work within these committees when they are active. At times of the year when we are planning workshops, seminars and conferences, Executive Committee members from relevant subcommittees can spend ca. 5 hours per week working communally on EADH business. Executive Committee members also have a Mid Term meeting once per year which is typically a one to two day in-person event, and we also organize an in-person General Meeting each summer at the ADHO Conference that lasts ca. 1.5 hours. The attendance of all Executive Committee Members at the Midterm Meeting is funded by EADH, and the attendance of the Officers (Chair, Treasurer, Secretary, etc.) at the ADHO General Meeting is funded by EADH. Where attendance in person is not possible, the meetings can be run in a hybrid format.

Who is eligible to be in EADH Executive Committee Member?

EADH members and members of Associated Organizations of EADH are eligible to become members of the EADH Executive Committee. This means that those wishing to take part during the nominations period as either nominees or proposers (explained below) must have been Members in Good Standing (i.e. have paid their membership fees) by 3 July 2026, whether as a direct or joint member of EADH, or through one of its Associate Organizations.

What are we looking for in an EADH Executive Committee Member?

EADH encourages a diverse and representative Executive Committee, and welcomes candidates from all backgrounds. For further information, please see our diversity and inclusivity statement <https://eadh.org/about/diversity-and-inclusivity>. We welcome candidates working at every level of professional and educational development  and every area in which aspects of DH are practiced, including archives, galleries, libraries, museums, universities, independent scholars, and any other public or private organizations invested in promoting DH activities across Europe. More important than a particular academic or professional degree is a candidate’s willingness to work actively and communicate openly with and for our community. 

How do nominations work? 

Potential candidates can self-nominate with the support of two current members of EADH.* Each person wishing to be nominated to stand for election to the EADH Executive Committee must submit the following three documents:

  • two nomination statements by EADH members (here, the proposers), stating the name of the person they wish to nominate (that is, the nominee). The names of the proposers and their respective nomination statements will not be made public.
  • a statement by the nominee of no more than 200 words (links excluded), expressing the willingness to stand for election. Statements longer than 200 words will be disregarded. Statements by the nominees will be a matter of public record during and after the election.

The statements of the proposers and the statement of the nominee (three documents in total) must be sent by the nominee to the Chair of the Elections Committee, Joëlle Weis (elections@eadh.org) no later than midnight on 7 August (GMT).

*If you wish to stand for EADH elections in 2026 but do not know two other members of EADH, please be in touch and we can help you to find two supporting members. 

About EADH

EADH is the umbrella organization for researchers interested in Digital Humanities across Europe. We have direct membership options for EADH, as well as membership options for our Associate Organizations (AIUCD [Associazone Informatica Umanistica e Cultura Digitale], CzADH [Czech Association for Digital Humanities], DHd [Association for Digital Humanities in the German Speaking Countries], and DHNB [Digital Humanities in the Nordic and Baltic Countries]). We also collaborate with other European DH organizations, such as our participating organization, Digital Humanities BeNeLUx, and the external UK-Ireland Digital Humanities Association. Members of the Executive Committee of EADH coordinate the DH community across Europe through monthly seminars, occasional workshops, and bi-annual conferences. EADH advocates for and supports all of our members in their digital humanities work. 

Contact

Questions about nominations and elections can be directed to Joëlle Weis, Chair of the 2026 EADH Elections Committee (elections@eadh.org). Questions about membership can be directed to Jiří Kocian, Secretary of EADH (secretary@eadh.org).

Registration Now Open for the EADH 2026 Conference

2026年6月4日 21:23

Registration Now Open for the EADH 2026 Conference

​Registration is now open for the 2026 Conference of the European Association for Digital Humanities (EADH), which will take place at the Jagiellonian University in Kraków, Poland, from 15 to 19 September 2026.

As one of the leading international events in the field of Digital Humanities, the conference will bring together researchers, scholars, and practitioners from across Europe and beyond to discuss current developments, innovative projects, and emerging challenges in the discipline.

The programme will feature keynote lectures by Melissa Terras and Tomasz Majkowski, an ERC-sponsored plenary session, and a rich selection of contributions, including 60 long papers, 60 short papers, and 40 posters.

Early Bird registration rates are available until 30 June 2026. The basic conference fee includes participation in all conference sessions, coffee breaks, and lunches. A full registration option is also available and includes the conference banquet and a guided tour of the University Museum.

For registration, please visit:
https://eadh2026.systemcoffee.pl/

For more information about the conference programme and venue:
https://eadh2026.confer.uj.edu.pl/

Follow EADH 2026 on social media for updates and announcements:

Associate Editor positions (2) - DSH: Digital Scholarship in the Humanities

2026年5月11日 19:13
11 May 2026 - 00:00

Associate Editor positions (2) - DSH: Digital Scholarship in the Humanities

https://academic.oup.com/dsh

Are you an engaged scholar in the digital humanities with a sharp editorial eye and a commitment to academic quality? DSH: Digital Scholarship in the Humanities—a leading international peer-reviewed journal—is looking for two Associate Editors to join its editorial team. The initial appointment will be for one year, after which a longer term will be offered following an evaluation.

You will work closely with the Editor-in-Chief, alongside two Senior Editors and four fellow Associate Editors, in a collaborative yet intellectually independent environment that sits at the forefront of digital scholarship.

Your role

As an Associate Editor, you will take ownership of the peer review process for a portfolio of submissions (up to 50 at any given time) within the Scholar One Manuscript Central journal management system. You will play a key role in safeguarding the journal’s academic standards and shaping its scholarly direction.

Your responsibilities include:

  • Assessing the suitability of submissions for the journal

  • Identifying, inviting, and liaising with expert peer reviewers

  • Evaluating reviewer reports and recommending editorial decisions

  • Managing revision rounds and maintaining communication with peer reviewers

In addition, you will:

  • Support the Editor-in-Chief in the daily management of the journal

  • Contribute to the journal’s strategic development

  • Represent the journal at scholarly events, meetings, and committees

  • Act on behalf of the Editor-in-Chief when required

Your profile

We are looking for candidates who:

  • Have a strong academic background in digital humanities or a closely related field

  • Are familiar with peer review processes in scholarly publishing

  • Demonstrate excellent organisational and communication skills

  • Have an excellent command of English

  • Can work independently and manage multiple submissions simultaneously

  • Are committed to fairness, rigour, and constructive academic dialogue

Editorial experience is not a requirement. Training will be provided.

Early-career scholars are invited to consider this prestigious and rewarding opportunity to make a significant contribution to the field.

What we offer

  • A central role in a respected international peer reviewed flagship journal

  • The opportunity to influence and support cutting-edge research

  • Collaboration with an experienced and dedicated editorial team

  • A flexible commitment of approximately 5–7 hours per week

  • A small quarterly compensation

Apply now

Interested candidates are invited to submit:

  • An academic CV

  • A short motivation statement

Review of applications will begin on 1 June, 2026. We will continue to review applications until the positions are filled. 

Please send your application to: Edward Vanhoutte (Editor-in-Chief) dshjournal@edwardz.be

Join us in shaping the future of digital scholarship publishing.

 

 

#JobOpportunities: 1 Postdoctoral and 2 PhD Positions ERC Project BOTLEG – Ruhr University Bochum

2026年4月29日 22:10
29 Apr 2026 - 00:00

#JobOpportunities: 1 Postdoctoral and 2 PhD Positions ERC Project BOTLEG – Ruhr University Bochum

The Institute of Philosophy I at Ruhr University Bochum (Germany) invites applications for:

  •  1 postdoctoral position (3 years)
  • 2 PhD positions (4 years)

within the ERC Consolidator Project

BOTLEG – Botanical Legacies: Towards a New History and Philosophy of Virtual Herbaria

Principal Investigator Dr. Jan Baedke

Project Description

This ERC project aims to develop more historically informed, theoretically grounded, and socially just botanical research by focusing on virtual herbaria—digitized collections of plant specimens.

From an integrated history and philosophy of science perspective, the project addresses historical, epistemic, and conceptual challenges of herbarium research in light of current digitization trends.

BOTLEG collaborates with historians, philosophers, digital humanists, botanists, and herbarium experts across:

  1. Central America
  2. Southeast Asia
  3. The Netherlands

More information about the project: https://cordis.europa.eu/project/id/101230109

Positions

Postdoctoral Position

Field: History of Science or Digital Humanities

Application details:

https://jobs.ruhr-uni-bochum.de/jobposting/9fca0a647b54e61a9b366628a2c46...

PhD Positions (2)

Field: Philosophy of Biology or History of Biology

Application details:

https://jobs.ruhr-uni-bochum.de/jobposting/c1b8b4301d2a01a0dfbae8b1237a9...

Application Deadline: 25 May 2026

Contact

For further inquiries, please contact: jan.baedke@rub.de

Welcoming Øyvind Eide as New President of EADH

2026年4月27日 17:19
27 Apr 2026 - 00:00

Welcoming Øyvind Eide as New President of EADH

EADH is pleased to announce the appointment of Øyvind Eide as its new President.

Øyvind’s work moves across digital humanities and cultural heritage informatics, with a long-standing engagement in modelling and how it can be used to better understand the relationships between different media. His research focuses in particular on transformative digital intermedia studies, exploring how texts and maps communicate, interact, and shape meaning in distinct ways.

His academic journey reflects both depth and continuity within the field. Øyvind holds a PhD in Digital Humanities from King’s College London (2013) and worked at the University of Oslo for nearly two decades, contributing to the development of digital humanities and cultural heritage informatics. He later held a position at the University of Passau before joining the University of Cologne, where he is currently Professor of Digital Humanities.

Øyvind has long been an active member of the international digital humanities community. He previously served as Chair of EADH (2016–19 and 2024–26) and is involved in several international organisations, including ICOM’s International Committee for Documentation (CIDOC).

As President, Øyvind will act as an additional, non-voting member of the Executive Committee, supporting its work and contributing to the association’s outreach. Drawing on his extensive experience and international network, he will help strengthen connections across the community and foster collaboration worldwide.

We warmly welcome Øyvind to this role and look forward to the perspective and continuity he brings to EADH.

Big news for our community: meet our new Chair

2026年4月2日 20:07
2 Apr 2026 - 00:00

Big news for our community: meet our new Chair

We are delighted to welcome Chiara Zuanni as the new Chair of EADH!

Chiara’s work sits right where things get exciting: at the crossroads of digital humanities and museum studies. From museum data practices to 3D digitisation, from born-digital curation to new ways of mediating cultural heritage through digital media, her research doesn’t just follow the field, it actively shapes it.

Her journey reflects that same curiosity and drive. With a background in Classics and Archaeology (University of Bologna) and a PhD in Museology (University of Manchester), Chiara has worked across institutions including the University of Liverpool and the Victoria and Albert Museum in London. Since moving to Austria in 2018, she has been a key figure at the University of Graz, where she advanced from tenure-track assistant professor to associate professor after completing her Habilitation in Digital Humanities in 2024.

Since September 2025, she holds the Professorship in Digital Cultures and Digital Humanities at the University of Krems.

Chiara brings not only deep expertise, but also a thoughtful, forward-looking perspective on how digital practices are transforming the ways we understand, curate, and engage with cultural heritage.

We couldn’t be more excited to see where her leadership will take EADH.

 

DH2026 Registration: Discount Codes for EADH Members

2026年3月25日 13:27
25 Mar 2026 - 00:00

DH2026 Registration: Discount Codes for EADH Members

Registration for the DH2026 conference in Daejeon will be opening soon, and we are pleased to share that EADH members can benefit from reduced registration fees.

To access the discounted rates, simply enter one of the following codes during registration in Conftool:

  • EADH-member
  • EADH-student

We warmly encourage all EADH members to take advantage of this opportunity and join the DH2026 conference.

Further details about the event will be shared as they become available.

EADH Small Grants: Meet the 2025 Awardees

2026年2月11日 00:32
10 Feb 2026 - 00:00

EADH Small Grants: Meet the 2025 Awardees

The European Association for Digital Humanities is pleased to announce the recipients of the EADH Small Grants. The selected projects reflect the breadth and vitality of current digital humanities research and practice, spanning areas such as digital philology, archives and preservation, community-based documentation, sustainability, and the critical study of machine translation. We are happy to present them here.

Giuseppe Arena – The Capuana Linked Lexicon

Giuseppe Arena holds a Master's degree in Digital Humanities. He is currently a research fellow for the Hyperedition of Luigi Pirandello's works at the University of Catania, collaborating with CINUM and CNR-ISTC. He is a member of AIUCD and Wikimedia Italia. His research interests focus on digital philology, ontologies and electronic literature. 

The Capuana Linked Lexicon project presents the first semantic edition of Luigi Capuana's Spoglio Linguistico, integrating unpublished archival materials. The importance of these private notes lies in their linguistic nature, useful for reconstructing the Verismo debate surrounding the issue of naturalistic writing and in their historical relevance for understanding Capuana's creative laboratory. The main outcome is a scholarly digital edition that integrates lexical entries encoded in TEI-Lex0 with IIIF facsimiles of the original manuscript pages, within the TEI Publisher environment. A central aim of the project is the creation of a dedicated Wikibase instance compliant with OntoLex-LEMON, designed to store lexical entries, forms, meanings, textual attestations, and manuscript references. This knowledge graph will be fully queryable via SPARQL and interoperable with Wikidata, enabling advanced linguistic and philological research on linked datasets, according to FAIR principles. In addition to the edition itself, the project will produce a reusable and documented workflow from TEI-Lex0 to OntoLex-LEMON and Wikibase, in order to create a replicable model for future semantic editions of manuscript-based lexical materials. The results of the project will be disseminated through at least one peer-reviewed article and a seminar on the interoperability of Wikimedia resources in digital philology.

 

Jennifer Bajorek, Raphaël Grisey, Aïssatou Mbodj-Pouye & Soso Soumaré – Digitization Workshop: Creating Culturally Relevant Documentation for a Visual Archive of an African Immigrant Community in France

The project team is a collective engaged in collaborative research and archival practice around the archive of Bouba Touré. It brings together Dr. Jennifer Bajorek, a scholar of African and militant photographic histories; Dr. Raphaël Grisey, a Berlin-based artist and researcher and long-time collaborator of Touré; Dr. Aïssatou Mbodj-Pouye, an anthropologist working on migration and popular culture in West Africa; and Soso Soumaré, director of a social services organisation supporting migrants in the Paris region and a member of Bouba Touré’s family.  

The Digitization Workshop: Creating Culturally Relevant Documentation for a Visual Archive of an African Immigrant Community in France will design and run a two-day workshop bringing diverse stakeholders (community members, archivists, and scholars) into conversation about the creation of accurate, culturally appropriate and informed, and accessible documentation for the digitized archive of Bouba Touré. Touré was a Franco-Malian photographer, filmmaker, writer, and militant labor and immigrants’ rights activist (ca. 1948-2021) who bequeathed to us a singular and extensive archive of photographs, film, and video work that bears witness to the lives of African immigrant workers in the Paris region as well as to rural life in villages along the Senegal River. The project will develop culturally relevant approaches to documentation for Touré’s archive in tandem with its digitization, which is now being undertaken by the Archives départementales de la Seine-Saint-Denis, in Bobigny, France, where Touré’s archive is now housed. Questions of language (linguistic variation, orthography, placenames), translation, approaches to identifying photographic subjects, modes of access, and the treatment of potentially sensitive themes will all be considered, as will culturally informed approaches to IP management and various approaches (practical and methodological) to collecting oral histories and testimonies and incorporating them into documentation. Workshop findings will be disseminated in the form of a bilingual (in English and French) digital publication. 

 

David Mahoney – Wasteback Machine  

David Mahoney is a PhD candidate at The University of Edinburgh’s Institute for Design Informatics. His principal research interest is reducing the environmental impact of the internet and improving accessibility, aligning technological potential with environmental stewardship. He is the founder of Overbrowsing, an applied research group focused on advancing sustainable web practices. 

Wasteback Machine is a JavaScript library for analysing the size, composition, and environmental impact of archived websites, known as mementos. Developed as part of doctoral research at the University of Edinburgh’s Institute for Design Informatics, the project addresses a key limitation in existing web assessment tools, which rely almost exclusively on synchronous, live measurement. Owing to the ephemeral nature of the web, such approaches capture only a website’s current state and fail to account for patterns of growth over time, obscuring the cumulative environmental impact of websites. Wasteback Machine introduces a novel methodological framework that enables robust quantitative analysis of web archives. The system reconstructs mementos with high fidelity by removing archival artefacts, correcting replay-induced modifications, and preserving temporal coherence across embedded resources. This approach allows for accurate retrospective measurement while remaining sensitive to the distinctive ontological status of mementos as reborn digital objects, shaped both by the original web and by the technical and curatorial practices of archiving institutions. Funding from the EADH will support the extension of the library to additional web archives, enhancing temporal coverage and analytical accuracy, and the development of a web application to make Wasteback Machine accessible to researchers, practitioners, and the wider public.

 

Tiziana Pasciuto & Francesco Dragone – ArchiSTART! Hands-on Workshop for Beginners on the Archives’ Preservation

Tiziana Pasciuto is a postdoctoral research fellow in the ERC CoG REDMIX project at the University of Turin. With a background as an archivist and conservation scientist, she earned a PhD in Digital Humanities at the University of Genoa in 2025, focusing on digital archives, semantic ontologies, and cultural heritage preservation. Francesco Dragone is a research fellow in the ERC CoG REDMIX project at the University of Turin, with a background in visual anthropology and ethnographic filmmaking. He works on public engagement, citizen science initiatives, and multimedia storytelling, including podcast production.  

ArchiSTART! is a pilot project aimed at addressing the vulnerability of small, non institutional archives through a standardised, hands-on training model. Building on research conducted within the ERC-funded REDMIX project, the initiative will deliver a 30-hour modular workshop in Italy for cultural associations, volunteers, and private custodians of archives. The workshop combines progressive teaching with practical activities on real archival cases, equipping participants with immediately applicable skills in preservation, basic cataloguing, and digitisation. Key outcomes include the validation of the training model, pilot conservation actions carried out by participants, and the production of open-access teaching materials and multimedia documentation shared via Zenodo. Designed for scalability, ArchiSTART! aims to foster local networks of “memory keepers” and lay the groundwork for future international editions.

 

Aleksandra Rykowska – Stylometric Analysis of Literary Machine Translation  

Aleksandra Rykowska holds an MA in Linguistics and is currently a doctoral candidate at the Jagiellonian University in Kraków. Her doctoral research focuses on the stylometry of literary machine translation, with additional interests in corpus linguistics and verse studies. 

The Stylometric Analysis of Literary Machine Translation project aims to develop a new method for analysing literary machine-translated texts from a stylometric and linguistic perspective. The study will be based on a multilingual corpus of 300 works of modern literature (from the second half of the nineteenth century to the present), translated by both professional human translators and machine translation systems into English, French, Polish, and Lithuanian. The project includes the creation of a parallel corpus of human and machine translations, respecting copyright constraints, and the development of scripts for linguistic analysis. A research visit to Dublin City University and a library visit in Dublin will support access to materials and engagement with state-of-the-art machine translation research. The outcomes will include a shared corpus resource and a scholarly article presenting the results of the study. 

#JobOpportunity - Postdoctoral Position (research associate) (m, f, x) – Digitality of Historical Research (Mainz)

2026年1月20日 23:45
20 Jan 2026 - 00:00

#JobOpportunity - Postdoctoral Position (research associate) (m, f, x) – Digitality of Historical Research (Mainz)

The Leibniz Institute of European History (IEG) in Mainz invites applications for a full-time Postdoctoral Position (Research Associate) (m/f/x) in Digitality of Historical Research, within its DH Lab.

  • Starting date: 1 July 2026

  • Contract: Fixed-term, up to five years

  • Salary: TV-L EG 13 (Germany)

  • Location: Mainz, Germany

  • Application deadline: 9 March 2026

The position is open to candidates with a PhD in a relevant field and a strong interest in digital methods in historical research, within an international and interdisciplinary research environment.

Full job advertisement and application details: https://www.ieg-mainz.de/en/job/postdoctoral-position-research-associate-m-f-x-digitality-of-historical-research/

#CfP: EADH Conference 2026 – “Linking Europe: Digital Humanities Without Borders”

2025年12月5日 03:32

#CfP: EADH Conference 2026 – “Linking Europe: Digital Humanities Without Borders”

The EADH 2026 conference will take place from 15 to 19 September 2026 at Jagiellonian University in Kraków (Poland), and is co-organized by the Digital Humanities Lab of the Jagiellonian University, the Institute of Polish Language of the Polish Academy of Sciences,  and the University of Wrocław.

Under the theme “Linking Europe: Digital Humanities Without Borders”, the event invites the international Digital Humanities community to reflect on technological transformations, including artificial intelligence, multilingual infrastructures, sustainability, and responsible data governance.

Submissions are open for posters, short papers, long papers, and workshops.
The thematic areas include: data and methods, AI and ethics, infrastructure and open science, cultural heritage and diversity, communities and futures of DH.

All conference venues are fully accessible, and online participation is available for presenters.

The deadline for all types of submissions is 23:59 AoE on Friday, 27 February 2026.

Further information and the submission link are available here.

 

 

#CfP: Comics and Machines - Royal Institute of Technology in Stockholm & Uppsala University, Sweden (22-23 April, 2026)

2025年10月26日 23:55
22 Apr 2026 - 00:00

#CfP: Comics and Machines - Royal Institute of Technology in Stockholm & Uppsala University, Sweden (22-23 April, 2026)

Call for Papers and Talks

Comics and Machines

Royal Institute of Technology in Stockholm & Uppsala University, Sweden

22-23 April, 2026

Steering committee

Jan Baetens, Jaqueline Berndt, Jan von Bonsdorff, Gareth Brookes, Benoît Crucifix, Björn-Olav Dozo, Anna Foka, Isabelle Gribomont, Andre Holzapfel, Per Israelson, Gaëtan Le Coarer, Ilan Manouach, Pedro Moura, Everardo Reyes, Keith Tillford, Ray Whitcher

♦

Today, the field of comics is undergoing a profound transformation marked by a growing heterogeneity of forms, formats, and production processes. From synthetic comics, operational images, data-driven visualization to embodied, non-visual comics, comics are expanding beyond the conceptual and historical frameworks that have traditionally defined it. Existing models in research— grounded in the artisanal craft traditions, narratology, text-image correlation, and human-centered authorship— are struggling to account for this rapidly diversifying landscape. Craft-based approaches might appear resistant or inadequate in the face of new technological practices that recombine production, circulation, and reception through computational logics.The current moment compels a broader redefinition of comics as fundamentally technical objects. The boundaries that once separated comics from technical and operational systems are dissolving. To grasp the full scope of these developments, we must account for comics as sites where technological processes are not external influences but internal engines — where creation is entangled with computation, standardization, and new modes of mediation. As computational processes— from machine learning to synthetic image generation and communication systems powered by computer vision— increasingly shape the creation, distribution, and experience of comics, it is no longer sufficient to understand the medium solely through the lenses of narrative, visual storytelling, or artisanal craft. Recognizing comics as engineered configurations of information, relational diagrams, and experimental knowledge structures is not a speculative gesture; it is a necessary step for understanding the profound transformation underway in the medium’s ontology, practice, and future potential.

Within this expanded computational landscape, comics increasingly function as sites of artistic research— experimental configurations that generate knowledge through making rather than merely representing it. As comics engage with computational systems, they become laboratories for investigating the material conditions of contemporary media production. These research-oriented practices extend beyond traditional academic boundaries. Rather than simply illustrating research findings, comics-as-research deploys their unique capacity for relational thinking— the medium’s inherent ability to orchestrate temporal, spatial, and conceptual relationships — to investigate how technical systems reshape creative labor, audience relations, and the very possibility of narrative meaning. This artistic research dimension positions comics not as objects of study but as active investigative tools, capable of generating insights about computational culture that emerge specifically through the medium’s hybrid technical-aesthetic operations.

We are pleased to announce a two-day international conference on April 22-23, 2026 at the Royal Institute of Technology in Stockholm and at Uppsala University dedicated to examining the rapidly evolving landscape of comics. Rather than framing this transformation solely as a rupture, the conference seeks to situate it within a longer history of computational rationality— a lineage in which the medium has continuously negotiated the demands of efficiency, scalability, and technical constraint. Our aim is to critically rethink comics not as passive recipients of technological change, but as active computational configurations: media fundamentally entangled with systems of automation, standardization, and information processing.

We welcome submissions addressing the following areas (among others):

  1. Histories of automation and engineering in comics production and distribution
  2. Transformations in formats and workflows driven by technological change
  3. Comics as data: informatization, discretization, and database design
  4. Human-machine collaborations in past, present, and speculative comics practice
  5. Audience and user labor in automated platforms and circulation systems
  6. Data-mining and recirculation techniques in digital comics ecologies
  7. Machine subjectivities: authorship, intention, and expression in machinic agents
  8. Computational archiving practices: scraping, clustering, and vectorization
  9. Speculative and critical practices addressing automation and machinic mediation
  10. Industrial logics in comics: international and comparative perspectives
  11. Resistance to automation: sabotage, slow media, and disobedient design
  12. Operational aesthetics: the visual and affective languages of automation
  13. Speculative histories and alternative futures of comics as technical media
  14. Comics as simulations: diagrams, blueprints, and procedural environments
  15. Comics as artistic research methodologies: practice-based inquiry and knowledge production where comics are used to interrogate emerging technologies and social systems

We invite submissions for the following presentation formats:​

  1. Research Papers (20 minutes + 10 minutes discussion): Traditional academic presentations suitable for theoretical, historical, or analytical work
  2. Practice-Based Presentations (15 minutes + 15 minutes discussion): Presentations by creators, artists, and practitioners demonstrating work and reflecting on process
  3. Interactive Demonstrations (30 minutes): Hands-on sessions showcasing new tools, platforms, or methodologies
  4. Panel Discussions (90 minutes): Collaborative sessions bringing together multiple perspectives on specific themes
  5. Lightning Talks (5 minutes): Brief presentations ideal for work-in-progress, provocations, or preliminary findings
  6. Workshop Sessions (3 hours): Extended collaborative sessions for skill-sharing and collective exploration of tools and methods

Submission instructions:

  1. Abstract length: 250 words
  2. Short bio: 150 words
  3. Deadline for abstracts: 1st December 2025
  4. Notifications of acceptance: 30th December 2025
  5. Send to conference@echochamber.be

Info: https://www.uu.se/en/centre/digital-humanities-and-social-sciences/event...

With production support by [Src Material](https://www.srcmaterial.org/), a non-profit organization supporting artists and researchers at the vanguard of new media.

❌